<a target="_blank" rel="noopener noreferrer nofollow" href="https://cherublamusica.com/">Cherub</a> <iframe-embed src="https://www.youtube.com/embed/E45fogGN_Y8?list=OLAK5uy_kHzZtgX8WrTiS5dYaZ6mRR04sHEHWcGOo" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="638" width="1134" style="" metaposition="flex-start" metatype="youtube"></iframe-embed> Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find twosweethearts in a Nashville garage. Just as they were yesterday, the day before that, and yearsprior. Searching for the perfect combination of string plucking, button pushing, and knobturning to craft the ideal sound to make you forget your world and step into theirs. Theaforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It all began in 2010 at Middle Tennessee State University. The two met as Jason was playingaround town with local bands and Jordan was crafting what would become known as their firstalbum,&nbsp;Man of the Hour. A few years later, it was the song “Doses &amp;amp; Mimosas” that caught theattention of the public and gained the interest of Columbia Records, who signed the duo in2013. Their four-year major label run brought their fans two LPs,&nbsp;Year of the Caprese&nbsp;and&nbsp;BleedGold Piss Excellence, while also sending them around the world playing festivals such asLollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, SummerSonic,&nbsp;and headlining four US tours. Now, a double platinum record and over 300 millionSpotify streams later, the bond between them remains “unfuckwithable,” as they constructtheir newest batch of genre-defying anthems.Their latest chapter sees Cherub sharpening their stakes with their brand-new album EverythingChanges and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and“Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’schair, turning their garage-grown vibe into something polished and immediate. “Motion” leansinto their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, provingthey still know how to flip the switch. As Huber put it earlier this year: “This record is usembracing where we’ve been and moving fast toward where we want to go.”From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspirationfrom everything around them. There’s no doubt that the latest Cherub efforts will win overtheir existing audience and draw new listeners to their established brand of debauchery. Fromyour ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find away.