$12 adv / $17 at the door (advance sales ONLINE ONLY until 3pm day of show, then available at the door). Doors at 6:00pm, showtime 7:00pm. ALL AGES! General Admission ticket includes a combination of limited seating and standing room. Seating is first come first serve. Tickets are nonrefundable.Jacob&nbsp;AugustineJacob&nbsp;Augustine is a Maine-born, Philadelphia-based indie folk musician. Over his nearly two decades as one of the most influential and beloved vocalists and songwriters in the northeast, he’s reached an enigmatic, near mythic status; touring the country back and forth, releasing records in a flurry, headlining bigger and bigger stages, then disappearing from public eye for years at a time, and back again. Augustine’s records range from heavily-orchestrated, bombastic full-band affairs to raw, stripped-down solo recordings to eccentric, genre-hopping studio projects, but they always center his immediately recognizable voice. The Portland Press Herald writes, “Jacob&nbsp;Augustine has one gilded set of pipes. A diamond in the rough.” Supported: Simone Felice, Friendship, Field Report, Timber Timbre, Gruff Rhys, Saintseneca, Xylouris White, O'Death, Lady Lamb, The Wooden Birds, Dan Mangan, Elliott Brood, Nicole Atkins, OK Go, Findlay Brown, David Dondero, Sean Rowe, Shilpa Ray and Her Happy Hookers, Needtobreathe, Youth Group, Lydia Loveless, Margaret GlaspyMarielle Allschwang and The VisitationsMarielle Allschwang—songwriter, vocalist, multi-instrumentalist, and member of some of Milwaukee’s finest ensembles (<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.polyvinylrecords.com/artist/collections_of_colonies_">Collections of Colonies of Bees</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://hellodeath.bandcamp.com/">Hello Death</a>)—sits at the center of the band she has named The Visitations, where she "[commands] the stage with hushed intensity" while, together, her formidable ensemble “[make the past 20+ years of Milwaukee post-rock] thunder and glisten” (Evan Rytlewski, Shepherd Express). At times gentle and beautiful, at others brutal and terrifying, “Allschwang’s voice seems familiar: it’s a timeless instrument, full of sadness, beauty, and independence, rooted in the fertile ground of Americana but twisted into the wilding sky of the avant-garde” (Matt Wild, Milwaukee Record).&nbsp;&nbsp;