A night bursting with the earnest romance and dance of New York City's switchblade edge. Join us for the dark, rhythmic, dancey delights of elegant noir and avante-rock, where ascending villains will be poetically scythed by stiletto heels and jagged guitars. NYC-based post-punk collective <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.londonplanemusic.com/">London Plane</a> have been gathering much acclaim for their blend of dancey, barbed, dark-disco and goth-ey grooves since their 2018 debut New York Howl and 2022's Bright Black on Brooklyn label Declared Goods. 2025 will see their much anticipated follow-up album and a revival of the live shows which have gained London Plane the reputation as crowd favorite in NYC's underground clubs. "Zingg’s music mirrors this ethos; her smoky baritone channels the haunting tones of Lebanon Hanover’s Larissa Iceglass and the eccentric flair characteristic of the ZE Records lineup. If they were from a previous era, Lacey Spacecake would seamlessly slot into the TV Party and New Wave Theater lineups, perfectly positioned between the avant-garde stylings of Klaus Nomi and the quirky energy of David Byrne." - PostPunk Magazine “Boston, Massachusetts duo of Eric Boomhower and Amelia May previously skirted the krautrock dreaminess of Amon Duul II on their hermetic, drowsy Karmic Revenge. <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.dyrfaser.com/">Dyr Faser</a>&nbsp;seems to change their sound, if only subtly, on each new album, and Crime Fever’s haunted, scuzzed playfulness leans more towards Lou Reed this time around – but only if he’d jammed with Dinosaur Jnr. Jefferson Airplane and Ty Segall. Still, they maintain a buzzy, fuzzy, and even Byrds-like loose dusting of the psychedelic and a backbeat throughout, with those ether-giddy vocals tones of May invoking Blonde Redhead, Beach House, and of course a little of a slacker rock, shoegaze vision of Renate Knaup-Krötenschwanz.“ - Monolith Cocktail