*All events are 21+ valid ID required for entry*
7 PM – Doors 8 PM – Show
REMEMBER SPORTS
Remember Sports was a self-categorized “basement rock band” when they formed as a group of Kenyon College students in 2012. The band’s electrifying pop punk bonafides and the inimitable vocals of frontperson and primary songwriter Carmen Perry found them quick acclaim and a home at Father/Daughter.&nbsp; After four albums of expertly crafted pop punk, Remember Sports follows up last year’s epic Like a Stone with the first EP of their decade-long run. Recorded piecemeal in their respective homes, sometimes together, sometimes apart, Leap Day trades the live immediacy of their studio classics for something cozier, though no less rousing. The core trio of Carmen Perry, Catherine Dwyer, and Jack Washburn have always kept up active home recording practices for their solo projects–Carmen as Addie Pray, Catherine as Spring Onion, Jack under his own name–and here we find them gently folding sounds sprung from their bedrooms into their signature brand of basement rock.&nbsp; Absent a dedicated drummer for the first time in their recorded history, the band opts for simple drum machine accompaniment, lending the music a fresh weightlessness even as Carmen’s arresting vocals and sharp lyrics bring gravity in all their righteous anger, scathing self-reproach, and disarming tenderness. Musically, all the thrilling guitar riffs and grooving bass lines we’ve come to expect are here, but the gradual recording process offered the band more opportunity to explore and experiment, adding on subtle layers of instrumentation, distortion, and electronics, and with them a warm sense of depth. In all, Leap Day is a short and sweet, loose but confident affair; at once a reminder of Remember Sports’ absolute mastery of the pop rock anthem and a tantalizing sip from the well of ideas they have yet to plumb.
ANNA MCCLELLAN
Anna McClellan’s childhood summers were spent in front of the TV, cementing a love of narrative that would later reveal itself through songwriting. By seventeen, Anna McClellan was performing original songs in her hometown of Omaha, Nebraska. Her debut album, Fire Flames, garnered attention and earned her an opening slot on a Frankie Cosmos tour, setting the stage for her subsequently adored albums, 2018’s Yes and No and I saw first light, released in late 2020. Now, with her forthcoming fourth album Electric Bouquet, McClellan crafts a musical journey that unfolds like one of her cherished television series. Each track is an episode, chronicling the past four years of her life – navigating electrician school, a cross-country move, and relationships gone sour. Electric Bouquet showcases McClellan’s ability to transform life’s myriad experiences into captivating musical stories. Recorded in multiple sessions in Baltimore, MD and Omaha and co-produced with long-time collaborator Ryan McKeever and Another Recording Company Studios engineer Adam Roberts, Electric Bouquet shifts seamlessly between piano-driven melodies and guitar-anchored anthems, each song a miniature universe slowly opening unto itself.