Name: Southern Culture on the Skids
Start: 2026-09-03T20:00:00
End: 2026-09-04T01:00:00
Location: Wild Buffalo

Milk + Honey Presents&nbsp;niminowith OtherwishThursday, March 26th 2026Wild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/5x0R3zoC09GMiRJomoexLV?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>nimino is one of the most exciting names in electronic music. In 2024, nimino turned heads with his viral hit I OnlySmoke When I Drink, which surpassed 80 million streams. The track charted on the UK Singles Chart and spent over20 weeks on Billboard’s Dance/Electronic Chart. Championed by the likes of Pete Tong, Diplo, and Danny Howard,the single is a standout from his upcoming EP Creek, set for release in March 2025 on Ninja Tune’s CounterRecords—home to artists such as ODESZA, Maribou State, and Roosevelt.Before he began releasing and performing music under the moniker nimino, Milo Evans’ musical journey started inhis teenage years growing up in the UK as a way to channel his ADHD. Beginning with simple loop-stitching on anAsus laptop, music quickly became an obsession. By the time he finished studying music technology in Brighton, hehad created the equivalent of eight albums’ worth of material. His first release as nimino in 2013—a slo-mo,bass-inflected take on Pixies’ Where Is My Mind—marked the beginning of his career when it amassed hundreds ofthousands of plays on SoundCloud and earned him the title of Huffington Post’s “Artist of the Month.”By 2020, nimino had cultivated an engaged community across his social platforms and launched a series calledsongs for people you may know, where he created custom songs for fans. “I’d go on Instagram, and people wouldgive me ideas to build a song around,” he explains. “It felt like a perfect way to connect with fans and show how fastI could make a decent song in a variety of styles.” Early in the series, someone requested a track that would be theperfect festival opener. “I made something with a long build-up and a huge emotional drop. A week or so later, Iplayed it live, and people went crazy.” That track, Opening Credits, released in 2022, quickly became a fan favorite.Since then, nimino has released several singles and an EP, with each new release continuing the journey of thenimino character through its artwork. “The nimino character symbolizes the journey my musical tastes havetaken—more so by the environments he’s ended up in through no choice of his own. The travels he goes onaccompany the music I’m making, and vice versa, but he’s also sort of nothing to do with me personally—just a littleguy on an expedition through different spaces, discovering different sounds.”nimino has performed at major festivals such as Lightning in a Bottle and Leeds Fest, as well as sold-out headlineshows at venues including Village Underground in London, Racket in NYC, and El Rey Theatre in Los Angeles. Freshoff his sold-out North American headline tour in the fall of 2024, he’s set to play major festivals worldwide in 2025.

nimino

Bellingham local Pop Artist and Recording Academy member, Veronica North, brings her band to The Wild Buffalo House of Music for a night of poetic lyricism weaved into indie-pop/folk melodies for listeners who like to FEEL what they are hearing.

Veronica North

💜 Nite Wave performs Prince &amp; The Revolution’s Purple Rain — live, album in full.From “When Doves Cry” to “Let’s Go Crazy” to the unforgettable title track, experience one of the greatest albums of all time as it was meant to be heard.✨ Plus, keep the party going with Everything She Wants — a high-energy Wham! &amp; George Michael tributecelebrating pop perfection.📍 Wild Buffalo – Bellingham📅 Saturday, March 28🎶 Featuring Nite Wave (‘80s New Wave)🌐 <a target="_blank" rel="noopener noreferrer nofollow" href="http://NiteWaveParty.com">NiteWaveParty.com</a>

Nite Wave

Wild Buffalo Presents&nbsp;Parlor Greenswith Brushpopper&nbsp;Thursday, April 2nd&nbsp;Wild Buffalo&nbsp;7pm doors | 8pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/4c6oXo4PWpSqSnuLqFUxLm?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colemine Records! You could say that Parlor Greens are greater than the sum of their parts…however, the individual parts are simply stellar on their own. Tim Carman (GA-20) on drums, Jimmy James (True Loves, formerly Delvon Lamarr Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Scone is perhaps the most tasteful living organist on planet Earth (and beyond) and to watch him play is to truly watch a master at work. He bends the organ to his will like a true mastercraftsman. He’s a veteran of the soul revival scene, having played on many Daptone recording sessions since their inception, but also has learned from some of the legends of soul jazz: Melvin Sparks and The Turbanator himself Dr. Lonnie Smith. Jimmy James needs no introduction to many as he’s been seen all over the world performing with instrumental groups The True Loves and the Delvon Lamarr Organ Trio. Perhaps the most dangerous right hand in all of soul music, his signature funky approach can be identified by even the most novice of music fans, a feat most musicians could only dream of. Tim Carman. The backbone. The pocket. Having cut his teeth touring the world with blues group GA-20, Carman’s expertise in the world of blues shuffles might make him an unlikely candidate to lay the foundation for the funky Parlor Greens, but this debut LP shows otherwise. Steady, heavy pockets and as funky as they come. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he’d love to have an organ trio be the first project at the label’s new studio, Portage Lounge, located in Loveland, Ohio. So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer’s row arrived they hit the ground running. It was instant chemistry. Within the first ten minutes of everyone plugging in, a song was written and recorded, “West Memphis”. And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven cuts. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 388 tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, In Green / We Dream.

Parlor Greens

Bear Grillz was already a global bass music brand with the capacity to sellout shows across North America, South America, Europe, and Australia. Less than 5years into his career, he was booked for 12 international festivals and toured as supportfor Excision on his Paradox tour. In 2019, he sold out his headline debut at Red Rocksalongside good friend Said the Sky and Adventure Club. But what has solidified BearGrillz’ place as an audacious standard bearer among the Pantheon of Bass Musiclegends is his adherence to a personal ethic of love and community that hedemonstrates continuously by launching himself headfirst into causes close to his <a target="_blank" rel="noopener noreferrer nofollow" href="http://heart.In">heart.In</a> 2019, he became increasingly concerned with what he perceived to be a globalepidemic of preventable suicide among young people. In a series of social mediadispatches he alerted his fans that he was releasing an album addressing this mentalhealth crisis calledDemonson Steve Aoki’s Dim Mak Records. The album featurescollaborations with massively talented artists like Jared Watson and David Foral fromDirty Heads, Sullivan King, Kabaka Pyramid, RUNN, Bok Nero, and Micah <a target="_blank" rel="noopener noreferrer nofollow" href="http://Martin.Fans">Martin.Fans</a> rallied in support of the message and the new styles and sounds Bear Grillz wasintroducing into his production designs.Demonsbecame one of the most successfulcrossover dance albums of the year. In 2020, Bear Grillz released hisFriendsAlbum, acomplex twelve track love letter to his inspirations inside and outside the bass musicbubble.Friendsis laced with verifiable head-bang worthy bombs, but his track withIration, the Dub Reggae genre bending project, speaks to Bear Grillz affinity for multi-cultural crossover sounds. Bear Grillz first and foremost seeks to infuse his own musicwith life and emotional vitality. The Pandemic seemed to stop world in 2020, but withtime to re-organize, Bear Grillz put in motion plans to start his own record label, RudeService Records. In April of 2022, with the Label in existence for less than a year, BearGrillz hosted a Sold Out Label showcase in Denver with a slate of Rude Service Artistswho pummeled the seething crowd with sounds representing the future of bass music.Together with longtime friend and Kompany, Bear Grillz made his debut at EDC LasVegas for what many consider to be a must-see set of the Festival. And on June 24th,he will release the most ambitious and expansive work of his career.Prismata, which isa double sided album of 25 tracks—12 “Light” and 13 “Dark”—features a massivearray of talented collaborators and contributors including island music superstar Hirie,JT Roach, Luma, Kompany, and Chandler Leighton’s beautiful new project L8NCY. Aworldwide 50+ date tour will follow in support of the Album with a headline show atRed Rocks this November.

Bear Grillz

Bad Bunny Dance Night is BACK!!!This dance night brings the electrifying, genre-defying energy of Bad Bunny alongside artists like J Balvin, Karol G, Rosalía, and Rauw Alejandro. With a mix of reggaeton, Latin trap, electronic and global hits, this night will have you moving to tracks and remixes that embody dynamic flair and unapologetic spirit.Expect a high-energy, immersive atmosphere where the music fuels celebration, self-expression, and connection all night long!*This is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event.Follow us on Instagram for updates, pics, song requests &amp; more @ pauzpresents

Bad Bunny Dance Night

Rory Scovel is an actor, comedian, and writer. His latest comedy special RORY SCOVEL: RELIGION, SEX, AND A FEW THINGS IN BETWEEN released in February, 2024 on Max.He will next be seen starring alongside Reese Witherspoon and Will Ferrell in the Amazon romantic comedy YOU’RE CORDIALLY INVITED. Most recently, he starred in the Apple TV+ series PHYSICAL opposite Rose Byrne which ran for three seasons, and appeared in Paramount’s BABYLON directed by Damien Chazelle, which garnered the cast a Screen Actors Guild nomination for Outstanding Performance by a Cast in a Motion Picture.Additional acting credits include Voltage Pictures’ I FEEL PRETTY opposite Amy Schumer; Netflix’s OLD DADS alongside Bill Burr, Bobby Cannavale, and Bokeem Woodbine; New Line’s THE HOUSE alongside Will Ferrell and Amy Poehler; THE LEGACY OF A WHITETAIL DEER HUNTER alongside Danny McBride and Josh Brolin; Demetri Martin’s directorial debut DEAN which premiered at the Tribeca Film Festival; NBC’s SUPERSTORE and UNDATEABLE; ABC’s MODERN FAMILY; FX’s THE COMEDIANS; TBS’s GROUND FLOOR and WRECKED; and the TruTv series THOSE WHO CAN’T.Rory’s stand up has been featured on Comedy Central, CONAN, and Late Night with Jimmy Fallon. His second album, RORY SCOVEL LIVE AT THIRD MAN RECORDS, was released in 2013 and was recorded live at their studios in Nashville. In 2015 he released RORY SCOVEL: THE CHARLESTON SPECIAL, followed by his Netflix special RORY SCOVEL TRIES STAND-UP FOR THE FIRST TIME in 2017.

Rory Scovel

<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.satsangmovement.com/">SATSANG&nbsp;</a> Drawing inspiration from a diverse array of musical traditions, Satsang's sound is characterized by rich harmonies, infectious rhythms, and thought-provoking lyrics that resonate with audiences across the globe. With roots in the mountains of Montana, Satsang's music reflects the natural beauty and spiritual depth of his surroundings, while also addressing contemporary issues and themes.At the heart of Satsang's music is a message of unity, self work, and mindfulness. Through the uplifting melodies and introspective lyrics, the music encourages listeners to reflect on their own experiences, cultivate positive change, and embrace the interconnectedness of all beings.With a reputation for captivating live performances and a dedicated fan base, Satsang continues to inspire audiences with his soul-stirring music and heartfelt lyrics. Whether performing at intimate venues or large festivals, the show's infectious energy and profound message leave a lasting impression on all who hear it.In a world that often feels divided, Satsang offers a beacon of hope and positivity. Reminding us all of the transformative power of music, intention, and community.

Satsang (Solo)

5 rounds of banger-fueled bingo where the numbers are replaced with SONGS 🎵💃🔥🎁 Win prizes from all our favorite local businesses 👑 Hosted by: @keags @rashod⏰ Doors 7PM | Bingo 7:30-10

Bad Bitch Bingo

Not going to Indio this weekend? Celebrate the the start of festival season with your festie besties here at home!Fauxchella is a night of iconic dance music, free photobooth to capture your fit, plus artists and vendors.Free light up flower crowns for everyone who arrives before 9:30PM.Limited free with RSVP tickets while supplies last

FAUXCHELLA

🎶 Tiny Dancing Queen: A Tribute to Elton John, ABBA, and Queen 🎶Step into a realm where the pulsating beats of iconic melodies transport you to a euphoric realm of dance and celebration. We invite you to an unforgettable evening paying homage to the timeless tunes of three legendary musical powerhouses.

Tiny Dancing Queen

Legend Zeppelin was formed to preserve and expand Led Zeppelin's raw, explosive live performances, delivering an authentic experience for both lifelong fans and new listeners. They aim to recreate Led Zeppelin's entire career chronologically over the next 6 years.Currently, the band is at the beginning, performing the live sets of 1969. With obsessive attention to detail, Legend Zeppelin recreates the look, sound, and intensity of early Zeppelin — using period-correct gear, attire, and stage approach inspired by the band's earliest tours and legendary bootlegs.The four musicians channel the power and danger of Led Zeppelin's first years on stage. This is a six-year immersive project, an evolving experience for fans to experience something no band has ever attempted before. Each performance is a high-energy, historically faithful homage designed to transport audiences back to 1969: before the hits, before the mythology, when Led Zeppelin was still untamed - allowing audiences to grow as the band progresses through the catalog throughout the 6 year journey. It's long-form art, disguised as a rock show.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/legendzeppelin">instagram</a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/LegendZeppelin">facebook</a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/@LegendZeppelin/videos">Youtube</a>

Legend Zeppelin

In Dante’s Inferno, the author grapples with sin, its various manifestations, and its consequences. This time ultimately traces a trajectory of self-realization, acceptance, and accountability. Kitchen Dwellers embark on a similar odyssey over the course of their fourth full-length offering, Seven Devils. The Montana quartet—Shawn Swain [Mandolin], Torrin Daniels [Banjo], Joe Funk [Upright Bass], and Max Davies [Acoustic Guitar]—thread together an immersive and inimitable conceptual arc inspired by Dante’s Inferno and set to a soundtrack of folk-infused bluegrass spiked with psychedelic vision and rock energy.&nbsp; Continuing their own journey as brothers, they deliver their most ambitious and anthemic body of work yet. “These tunes deal with the human experience, and Torrin initially drew a parallel between the music and Dante,” Max states. “We explored the connection by correlating each song with a sin. Some of these connections are only apparent if you dive deep into the lyrics. Our goal is to essentially take the listener through our own interpretation of the Inferno story.”&nbsp; “We didn’t go into the studio with the intent of making a concept album,” recalls Torrin. “I was driving around listening to everything, and I noticed these parallels. To dive deeper, we’re discussing topics like mental health, the human condition, and what we go through on the road. In life and music, everything is recurring and universal. I was reading Dante at the time, and it naturally fit.” It proved to be a logical next step as well… Thus far, Kitchen Dwellers have engaged and enraptured listeners with albums such as Ghost In The Bottle [2017], Muir Maid [2019], Live from the Wilma [2021], and Wise River [2022]. Of the latter, Holler. praised how “Kitchen Dwellers have preserved their sense of youthful experimentation,” and Relix proclaimed, “The songs on the new record build on this range, while also reflecting on the group’s Bozeman, Montana home.” Between tallying millions of streams, the band ignited hallowed venues such as Red Rocks Amphitheatre and graced the bills of Telluride Bluegrass, Northwest String Summit,&nbsp;WinterWonderGrass, and beyond.&nbsp; In order to bring Seven Devils to life, the musicians opted to work with producer Glenn Brown. It would not only mark their first time collaborating with the producer, but it also would be the first time they decamped to Michigan in order to record. “The studio itself definitely impacted the vibe,” Torrin notes. “It’s a tiny workspace, but it’s full of old recording equipment with legendary stories attached to it. For almost the entire time, we were forced to congregate in this room together. The process was ever-evolving, because ideas kept flowing.” Fittingly, “Seven Devils (Limbo)” opens the album and serves as the first single. Nimbly picked banjo and upbeat acoustic guitar set the pace as the regretful chorus bemoans, “Am I supposed to hop the next train? Or stand here drowning in the Oregon rain?” A guitar-driven bridge dips in and out of effects-laden echoes and stark strumming. Coming full circle, a ten-minute version of “Seven Devils” later bookends the record with an epic finale. “I incorporated some elements of grunge in terms of the chords, which are a little dissonant,” Torrin elaborates. “Thematically, it’s the descent into Hell. First, Dante goes through limbo before reaching any of the circles where the cardinal sins are addressed. ‘Seven Devils’&nbsp; evokes the feeling of being in limbo.” “It also signifies you’re embarking on some type of journey,” Max agrees. “By the end of the LP, you know the protagonist isn’t going to be the same person.” Then, there’s “The Crow and The Raven (III).” The track’s emotionally charged vocals seesaw on top of strings in a moment of terse reflection. “I went through a horrible breakup in 2018 when I wrote the first version,” Shawn remembers. “‘The Crow and The Raven (III)’ sat in my notebook for a half-decade before we revamped it. Now, it’s a sad, slower lament about enduring the loss of a relationship.” “Pendulum” rushes towards a mournful refrain offset by a plucky crescendo. “It’s about dealing with an addiction in your life and how it affects relationships,” Joe says. “People often trade one addiction for another, whether positive or detrimental to their life, as a means to satisfy their baseline addictive tendencies.” On the other end of the spectrum, “Here We Go (VI)” laments the epidemic of shootings in America with unfiltered frustration projected through a powerful ebb and flow punctuated by a cameo from Lindsay Lou. “I was riding a Greyhound from Seattle to Missoula in 2012,” Max goes on. “There had just been another school shooting. It’s terrible to think of how many shootings have happened since. Why is this happening? The chorus shifts gears to miscommunication between two parties in a relationship. Those are the two driving forces.” An electric guitar lead heralds the onset of “Unwind (Paradiso),” building towards one climactic moment of catharsis. “A psychedelic experience and life-changing ego death changed my outlook on many things,” Torrin admits. “‘Unwind (Paradiso)’ was one of those moments where you surrender and let it take you. You’re letting go of the human things in your brain that make you want to fight or cause you to be afraid. It also came together in the studio as a band, which was super cool.” In the end, Kitchen Dwellers may just leave you changed with Seven Devils. “The record is a trip inward within the self,” Torrin concludes. “It tackles a lot of things in the world people try not to think about. The reality is we’re only truly happy when happiness comes from within. That’s the message.”

Kitchen Dwellers

Wild Buffalo Presents&nbsp;Space Wizard&nbsp;with special guests&nbsp;Wild Buffalo&nbsp;Thursday, April 23rd8pm doors | 9pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/1wcleSLRiSdM4P0ugXdg3H?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>Born and raised in Amarillo, Texas, Michael Munnelly, better known by his stage name Space Wizard is quickly establishing himself as a staple of the heavy bass scene. With multiple releases on trending labels, including Cyclops Recordings, Subsidia, and Wakaan, Mike boasts his unique bass-heavy sound and in-your-face leads that beg to be played again. Launching the namesake in 2016, Space Wizard has since gone on to tour with some big names in the bass music industry, such as Subtronics, ATLiens, Peekaboo, Jantsen and more. Between his raw, groovy basslines and energetic live performances, its clear Space Wizard is an artist you do not want to miss!

Space Wizard

Ready to party like it's the year 2000? 💋👀Get down with PROMISCUOUS, brought to you by the minds behind your favorite monthly touring throwbacks party...Sorry For Party Rocking! Dance all night to throwback club bangers from Timbaland, Nelly Furtado, and JT. Be the main character on the dance floor 🪩Dress code: y2k core 🤳Official Party Spotify Playlist: <a target="_blank" rel="noopener noreferrer nofollow" href="https://open.spotify.com/playlist/5Q71PzX9qDIcvIKww9Hpm1?si=b89d658e1a28429f">https://open.spotify.com/playlist/5Q71PzX9qDIcvIKww9Hpm1?si=b89d658e1a28429f</a>Follow us on Instagram for updates, pics, song requests &amp; more @ <a target="_blank" rel="noopener noreferrer nofollow" href="http://sorryforpartyrocking.us">sorryforpartyrocking.us</a>*This is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event.From the creators of Sorry For Party Rocking LA

Promiscuous

Skates meet seduction. Bruises meet boas. The Bellingham Roller Betties Whatcom County's only adult Roller Derby League, are off-skates for a night of bold moves, big personalities, and unapologetic sparkle, all to support the league you love.&nbsp; &nbsp;Each year, our skaters hang up their skates and many take the stage for a night of Burlesque fun hosted by the Wild Buffalo.&nbsp; &nbsp;Join us for our biggest fundraiser of the year and see the fabulous acts our skaters have created for you!&nbsp;

Roller Betties Burlesque

The 12th Bellingham Band Lottery is back! This is hands down one of our most favorite events that we have here at the Wild Buffalo and we are beyond excited to be bringing it back. All of the details that you need to know are below: Who: Local Bellingham musicians willing to meet and play with other Bellingham musicians. What: A show that is created by local musicians. They put their name in a hat, we draw their names, and seven bands are formed. The musicians then have three weeks to write three original songs and then perform them on stage.&nbsp; When: Draft - Tuesday, March 31st - 7pm Show - Sunday, April 26th. 6:30pm Doors. 7:30pm Show. Where: The Wild Buffalo 208 W. Holly St. Why: To link musicians from all different backgrounds to bring our thriving music scene closer together through a challenging yet fulfilling process. The results have always been an incredible show that you don’t want to miss. $10 suggested donation, but please donate what you can to support local art in Bellingham.*Sign up here if you’d like to participate! The Draft will be held at the Wild Buffalo on Tuesday, March 31st at 7pm. All participants must be at the draft in order to participate. <a target="_blank" rel="noopener noreferrer nofollow" href="https://forms.gle/wokcaU8GzhojQiv86">SIGN UP HERE!</a>&nbsp;&nbsp; <a target="_blank" rel="noopener noreferrer nofollow" href="https://forms.gle/wokcaU8GzhojQiv86">https://forms.gle/wokcaU8GzhojQiv86</a> *All proceeds will go to benefit <a target="_blank" rel="noopener noreferrer nofollow" href="https://makeshiftartspace.org/">Make.Shift</a>, Bellingham's beloved non-profit creative space and rock venue.

The 12th Annual Bellingham Band Lottery

From the track record of Robert Balotsky's work as Buku, it’s clear that the Pittsburgh native and graduate of Music Technology is a well-equipped architect of twisted, layered soundscapes. With a menacing grasp on sound design and music theory, Buku combines deceptively simple and emotive melodies, laden with resounding low-end and intricate drum patterns. With a love of drums rooted early in his childhood, his work reflects his passion for percussion laced with elements only a trained ear could produce.&nbsp; Establishing himself as an industry favorite since his 2013 debut, Buku has amassed streaming figures in the tens of millions while being championed by a variety of noteworthy curators, including Pete Tong, Diplo, Anna Lunoe &amp; Zane Lowe to audiences worldwide through BBC Radio 1, Beats 1 Radio, and Spotify editorial playlists. In addition to strong support from dance music heavyweights, Buku has seen releases on Thrive, Spinnin’ Records, OWSLA’s NEST HQ, UKF’s Pilot Records, as well as features on Atlantic Records, Mad Decent, Fool’s Gold, Main Course, and more. His new label home, Liquid Stranger’s powerhouse bass label WAKAAN, has hosted the producer’s most recent releases (2020’s ‘What You See’ EP and 2021’s ‘Scorched Earth’ EP) notably characterized by their elements of mutated sound design, breakneck transitions, and heavy hitting patchwork synths. Rounding out what has already been an impressive release catalog across dance music’s most prominent labels, Buku has received placements across major media platforms and video game developers such as: ESPN, GoPro, EA Sports’ Madden series, Ubisoft and Capcom. Not only a talented studio rat, Buku brings the same energy &amp; clinical precision of his productions to his live sets - paired with his boundless touring schedule, the producer has won over crowds worldwide from sold out headlining shows to massive festival sets at Electric Forest, Lost Lands, Suwannee Hulaween,Camp Bisco, Shambhala, Imagine, and Sunset Music Festival. In 2019, marked Buku’s first nationwide headline ‘Crusin’ USA Tour’ hitting 35 cities across the US. As a result of his workhorse mentality &amp; penchant for meticulously crafted sound design, Buku has justifiably set the pace for producers rewriting the definition of modern dance music.

BUKU

Brothers Matt and Mark Hill are the sonic visionaries behind electronic-funk powerhouse The Floozies. Certified heavyweights in the world of jam and future-groove, the Kansas City-based tandem champion authentic funk in the digital age.&nbsp;Familiar with sold-out shows across the country including their annual hometown Funk Street festival, prominent festival appearances at Bonnaroo, Electric Forest, High Sierra, Summercamp, Wakarusa, Camp Bisco, Summerset, Bumbershoot, and headlining Red Rocks shows, their formidable sound is continuously celebrated from coast to coast.

The Floozies

QM description:&nbsp;Stomp, clap, sing, and shout... &nbsp; Be a part of the show as "Queen Mother" pays tribute to Queen's music in the space where it belongs, live on stage. &nbsp;Hailing from&nbsp;Seattle, Queen Mother harnesses the Northwest’s best talent to bring these epic songs to life, including Under Pressure, We Are the Champions, Bohemian Rhapsody, and many more. &nbsp; With each show they make the whole room a stage, hoping to draw out your inner “Freddie.”&nbsp;Live sample video:&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=mSIAo7A3oLI">https://www.youtube.com/watch?v=mSIAo7A3oLI</a>Website:&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.QueenMotherTribute.com">www.QueenMotherTribute.com</a>&nbsp;Facebook:&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.facebook.com/QueenMotherTribute">www.facebook.com/QueenMotherTribute</a>Instagram:&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.instagram.com/QueenMotherTribute">www.instagram.com/QueenMotherTribute</a>Youtube:&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.youtube.com/@QueenMotherTribute">www.youtube.com/@QueenMotherTribute</a><iframe-embed src="https://www.youtube.com/embed/mSIAo7A3oLI" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="1012" width="2203" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>

Queen Mother

Milk + Honey Presents&nbsp;Ivy Lab&nbsp;with special guests&nbsp;Saturday, May 9th 2026Wild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/3VXCvo9Sr0hbZ4mk6VOKBs?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>

Ivy Lab

Come gather ’round, friends, for a real good time at the Wild Buffalo as we celebrate the music of the Grateful Dead! 🌹⚡️💀Led by&nbsp;Bellingham’s own Sleepy Alligators, setting sail with that familiar mix of cowboy chords, sideways rhythms and jams that can turn on a dime.With a whole mess of special guests dropping in, expect a night that moves like Truckin’ down the road — sometimes smooth, sometimes weird, always heading somewhere worth going. You might find yourself dancing through Sugar Magnolia, shouting the chorus to The Music Never Stopped, or drifting off into the wide-open spaces of Playing in the Band.The songs of the Dead have always felt like campfire stories and road maps all rolled into one — tales of gamblers and drifters, hard rain and easy answers, Jack Straw runnin’ from town to town, Cassidy catching the light just right. So whether you’ve been on the bus since the Fillmore days or you’re just stepping aboard, come on down, shake your bones, and let’s roll away the dew.&nbsp;As long as there’s a band to play and a crowd to sing, you know one thing’s for sure — the music never stopped. 🌹💀⚡

Grateful Dead Night 

Milk+Honey Presents&nbsp;Jigitzwith special guests&nbsp;Friday, May 22ndWild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/7sfn5Z6ItzDkOF9cYzxWPZ?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>jigitz is an electronic artist based in Brooklyn, NYC, by way of Albuquerque, New Mexico. Carving out his own lane in the American UKG scene, jigitz has become known for his frantic, in-the-round live sets that are tight, fast, and built for the dancefloor. His energetic live sets helped propel his latest track, “tell you straight,” to a viral moment, which spent multiple weeks on the Billboard Dance Chart. Having been co-signed by the likes of Louis The Child, BUNT. and Jersey, jigitz is poised for a breakthrough in 2025.

Jigitz

For thirty years, David Bazan has been writing about what it means to believe insomething—and what it means when those beliefs fray. When Pedro the Lion releasedIt's Hard to Find a Friend in 1998, Bazan was already a keen observer of moral andexistential conflict, capturing minor human disappointments with devastating attention.By the time Control came out, his writing had sharpened, slicing through suburbanpoliteness and the American dream with pinpoint precision. For over a decade, he builtPedro the Lion into one of indie rock's most quietly radical projects, chronicling doubt,faith, guilt, and the messy pursuit of grace in a way that felt both deeply personal anduniversally resonant.Then, in 2006, he retired the Pedro the Lion moniker, as if setting down an old burden.Bazan kept writing, releasing the synth project Headphones and five solo albums thatwere blunt and revelatory in their own right, but the decision to retire the name feltdefinitive. Until, suddenly, it wasn't. In 2017, after being dormant for more than adecade, Pedro the Lion was back. The deeply autobiographical albums to follow,Phoenix, Havasu and Santa Cruz, marked a return to the places that shaped himliterally and metaphorically, tracing the lines of the past to understand the shape of thepresent.Now, on the occasion of Pedro the Lion's 30th anniversary, Bazan is doing what hedoes best: stepping onto a stage with long-time musical collaborator, Erik Walters onguitar and backing vocals, along with recent addition to the band, Andrew Rudd ondrums, and making these songs feel brand new again. The anniversary shows are lessabout commemoration than they are continuation, a chance to revisit their 30-yearcatalog in a way that is still active, still evolving."The name felt like an imaginary friend for me," he says, "a way to have a relationshipwith myself." But if Pedro the Lion was once an imaginary friend, it is now somethingelse. It is less like a ghost from the past and more like an old companion you fall backin step with, no matter how much time has passed.For all the sorrow and searching that has shaped it, the music has always had anessential warmth—a belief in people, in possibility, and in the redemptive power ofbearing witness to your own life. Three decades in, Pedro the Lion remains a projectabout faith, even if that faith has taken on new shapes. It's the persistent hope thatthere is meaning in the telling: if you lay it all out, every doubt and devotion, everyfailure and flicker of hope, something honest will emerge.- Danielle Dietze

Pedro The Lion

Wild Buffalo Presents&nbsp;Dogs In A Pile&nbsp;with special guestsMonday, June 1st 20267pm doors | 8pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/5lObmA5WxJpUj8QO6YX7yF?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>Something organic has been blooming from Asbury Park, New Jersey, and is now making its way around the world. Dogs In A Pile, a band of five twenty somethings with old souls and limitless chops, is waking people up to the timeless and ineffable joys of psychedelic-tinged jazz-funk rock n’ roll. This is one of the busiest touring bands of today, averaging 130 live shows per year since 2022. The road has become their creative engine, generating a rapidly growing catalog of original tunes. Distroid, the band’s newest album, is a 10-song collection featuring long-awaited studio versions of some of the Dogs’ most beloved repertoire. Dogs In A Pile is guitarist Jimmy Law, guitarist Brian Murray,&nbsp; keyboardist Jeremy Kaplan, bassist Sam Lucid, and drummer Joe Babick. In addition, the Dogs In A Pile community includes the Dog Pound, the group’s extended family of fans across the country. Besides being a lyric from the Grateful Dead song, “He’s Gone,” the name “Dogs In A Pile” is an apt description of the five-piece band’s stylistic breadth. The sonic image it conjures is a heap of storyteller Americana, bluegrass, jazz improvisation, eccentric instrumental excursions, pop-rock sophistication, and deep-pocket grooves, ranging from funk to Latin to reggae and beyond. Distroid features material that has already become staples of the band’s live show. These studio renditions have afforded the group a chance to present the compositions just how they envision them. Distroid offers a cross-section of the Dogs In A Pile essence, tight and tuneful four-minute funk and jazz informed psych-rock songs, and then sprawling 15-minute compositions with intricate unison lines, agile genre-jumping, and dazzling improvisation.&nbsp;

Dogs In A Pile

Saliva first exploded onto the hard rock scene with anthems like “Click Click Boom” and “Your Disease,” the latter earning a Grammy nomination. Their major label debut, Every Six Seconds (2001), went double-platinum, followed by 2002’s Back Into Your System, which delivered more charting hits including “Always,” “Raise Up,” and “Rest In Pieces.”Over the years, Saliva has evolved through lineup changes while maintaining their signature intensity. Since 2011, frontman Bobby Amaru has led the band through multiple studio releases (Rise Up in 2013; Love, Lies &amp; Therapy in 2016; 10 Lives in 2018; Every Twenty Years EP in 2021; and Revelation in 2023).In 2023, Saliva suffered the devastating loss of founding guitarist Wayne Swinny, whose legacy continues to be honored through their music and live shows. Reflecting on his passing, frontman Bobby Amaru said, “This band meant more to Wayne than music itself, and he wanted us to continue in its current form.” That spirit of loyalty and perseverance remains at the heart of Saliva’s journey forward.”Most recently, the band released Revelation: Retold (2025), a deluxe reimagining of their 2023 album featuring guest vocals, unreleased tracks, and fresh takes on fan favorites. Tracks like “Time Bomb,” “Horizon,” and “Devil’s World” showcase Saliva’s resilience and creative evolution.

Saliva

Evokingtheocean and guided bythespirit of travel,TheHipAbductionpilot a sonicexpedition past genre barriers.The band isthemoniker for singer/songwriter David Newwho writes and produces music in between travel excursions and touring. Live showsmorph into a versatile musical ensemble consisting of Matt Poynter (drums), Chris Powers(bass), Justino Walker (guitar, vocals, ngoni), and Cody Moore (keys, sax); each of whomhave a mutual appreciation for African (Afrobeat/Soukous/Malian Blues), Reggae, andAmerican (jam/electronic/indie) music. Since 2012,theband has played almost everynoteworthy music festival inthecountry, has landed major TV/Movie syncs and Sirius Xmradio spins, have 750k+ mo listeners on Spotify, have provided direct cross country toursupport for artists like Dirty Heads, Galactic, Slightly Stoopid,TheRevivalists, and who’shighly energized live show have landedthe5-piece a sizable fanbase acrosstheUS andCanada

The Hip Abduction

Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O’Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin’ out for the inmates at North Carolina correctional facilities. They’ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed “a hell raising rock and roll party.”

Southern Culture on the Skids

Wild Buffalo PresentsTHE RECORD COMPANYGive it Back to You 10th Anniversary Tour Wild Buffalo Bellingham, WA 208 W. Holly St. Bellingham, WA 98225 <img src="https://ucdc3e507d9d71df94492c309016.previews.dropboxusercontent.com/p/pdf_img/ACwZEBJvP1kNpMcTnOHvEe-JrUXrignLdsJjBiQqQ2RlyYQBUUJrSC5QY1ek6_YGjZouQSyVmYJ4mD4lTmWphfNgCxblS0eilvDkb3FJIIX_fGwXgDz8A1ztKH2FlA2inSnvbPPgm_FhKoyJbwHXxiYVecg44Zkny9GKwpaSlXuz_QAXxdYTpveuACbYpa-f_9VcUliUEjvEMCpN1dR0FAeIRo4viOxetqGMIJ24hJS15YtHWo0uXR1ZY1gc9PltjGaZO7IydfRvTdD48rdLlMIwkRU6LUY1n5rC4IPyZyyDuyiragRHlq1jola8rAn9ItPlxhIinBbKGQ5USqlfTaaU/p.png?page=0" alt="Press Release - The Record Company 'Give It Back To You' - Deluxe Edition.pdf">

The Record Company

Formed by Merrill Garbus in 2006, Tune-Yards has become a name synonymous with creativity and forward motion. Known for explosive performances, surprising song structures, and danceable rhythms, their music also highlights connections between song and social consciousness. The New York Times praised their debut album, BiRd-BrAiNs, as “a confident do-it-yourselfer’s opening salvo,” and relentless touring established Garbus as a commanding live performer.Garbus stepped into the producer role with 2011’s w h o k i l l, a bold and sonically inventive album that earned critical acclaim, including the #1 spot on The Village Voice’s Pazz and Jop poll. By 2021’s sketchy., Garbus and bassist Nate Brenner had solidified their partnership, creating a fully collaborative work. The duo has announced their sixth studio record, Better Dreaming, to be released on May 16, 2025 on 4AD.Tune-Yards also excels in scoring, contributing to Boots Riley’s Sorry to Bother You, I’m A Virgo, and the forthcoming I Love Boosters. Their artistry continues to expand across music, film, and television.

Tune Yards

<a target="_blank" rel="noopener noreferrer nofollow" href="https://bandofskulls.shop/">BAND OF SKULLS</a> US SPRING TOURwith GHOSTWOMAN&nbsp; Friday, March 20th Wild Buffalo House of Music&nbsp;208 W. Holly St.&nbsp; Bellingham, WA&nbsp; 7pm Doors | 8pm Show Time | 21+&nbsp; Band of Skulls Bio:&nbsp; English rock band Band of Skulls, formed in Southampton in 2004. The original lineup consisted of Russell Marsden (guitar, vocals), Emma Richardson (bass, vocals), and Matt Hayward (drums). Initially performing under the name Fleeing New York, the trio eventually rebranded as Band of Skulls in 2008, marking the beginning of their rise on the indie rock scene. Band of Skulls released their debut album, "Baby Darling Doll Face Honey," an incredible fifteen years ago in 2009. The album was a blend of blues rock, garage rock, and indie influences, featuring standout tracks like “I Know What I Am” and “Death by Diamonds and Pearls.” The gritty guitar riffs, dual vocal harmonies, and raw energy of the album earned the band critical acclaim and a growing fanbase. Their music was featured in TV shows, movies, and video games, further amplifying their presence and significantly broadening their fan base. In 2012, Band of Skulls followed up …Doll Face… with "Sweet Sour." Marking their breakthrough back in the UK, this album showcased a more polished and mature sound while retaining their signature intensity. The title track “Sweet Sour” and songs like “The Devil Takes Care of His Own” highlighted the band's dynamic range and songwriting prowess. The album received very positive reviews and solidified Band of Skulls' position in the alternative rock landscape internationally. Their relentless touring alongside some of the biggest bands in the world including Muse, Queens Of The Stone Age, The Red Hot Chili Peppers and significantly, The Black Keys in both the US and UK, continued to attract a new audience whilst also seeing them make their first appearance on The David Letterman Show. "Himalayan," the band's third album, celebrates its tenth anniversary this year having arrived in 2014, and it marked a significant evolution in their sound. Produced by Nick Launay (Nick Cave &amp; The Bad Seeds, Yeah Yeah Yeahs, Arcade Fire), the album featured a mix of hard-hitting rock anthems and more experimental tracks. Songs like “Asleep at the Wheel” and “Hoochie Coochie” displayed their ability to craft infectious hooks while maintaining their rock edge. Himalayan was well-received by critics and fans alike. Glastonbury beckoned that year, reinforcing the band's reputation for delivering powerful performances with a distinctive edge whilst also attracting an invitation to perform on the BBC’s Later… with Jools Holland. In recent years, Band of Skulls have continued to evolve and experiment with their sound, releasing several more albums and maintaining a strong presence both live and through the continued use of their well-crafted songs across film and TV. Early this year the band performed a homecoming show in Southampton, celebrating their journey and connection to their roots, showcasing the band's enduring appeal and energy. Marsden introduced a new lineup and took the opportunity to hint at new material to come in 2025. He also gave the gathered fans early news of an imminent box set which will tell the story of those first three records through a deluxe book and vinyl offering, including sought-after tracks, demos, and B-sides, as well as an unprecedented look into his personal archive of the band's history, featuring many never-before-seen photos and memorabilia. Band of Skulls' career has been marked by a consistent dedication to their craft and an ability to innovate within the rock genre. With their first three albums — "Baby Darling Doll Face Honey," "Sweet Sour," and "Himalayan" — they established themselves as a force in the indie rock world and continue to captivate audiences and solidify their legacy as a dynamic and influential rock band. <iframe-embed src="https://www.youtube.com/embed/kfwvpyrAW60" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="636" width="1141" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>

BAND OF SKULLS

Wild Buffalo Presents&nbsp;The Motet&nbsp;special guests&nbsp;Thursday, March 19th&nbsp;Wild Buffalo&nbsp;7:30pm doors&nbsp;8:30pm show&nbsp;21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/4nEUXGyTWXweCdfVf7f8zN?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>A new beginning can happen at any time. No matter where you may be on your journey, you can always start over once again.After 26 years, nine albums, and over a thousand shows, The Motet embark on another chapter galvanized in equal measure by their longstanding bond and a surge of fresh energy. The genre-breaking group—Dave Watts [drums], Joey Porter [keys], Garrett Sayers [bass], Drew Sayers [keys, saxophone], and Ryan Jalbert [guitar]—officially welcome Sarah Clarke [lead vocals] to the family. Their inimitable instrumental interplay proves just as fiery as ever, while her addition only fuels their collective flame higher.&nbsp;They ignite a new era with their 2024 full-length album and first with Sarah on the mic, Love Time.“It’s our first step into the world as this iteration of The Motet,” affirms Sarah. “It’s also an opportunity for folks to hopefully jump aboard and see where it goes.”“It is the beginning,” agrees Dave. “We’re not in this for money or fame. We just want to be able to write songs and play shows. The fact we can travel as far as we do, go through everything as a team, and play music we wrote together is humbling. To see people coming out to shows, smiling, singing, dancing, and sustaining our careers is nothing short of a miracle.”The Motet bubbled up out of Colorado back in 1998. Their catalog has grown to encompass a bevy of fan favorite albums. In between, they have packed houses coast-to-coast. The band has impressively headlined their hometown Red Rocks Amphitheatre seven times as well as gracing the bills of Bonnaroo, Bottlerock, Electric Forest, Bumbershoot, Summer Camp, and High Sierra, to name a few. &nbsp;The Motet first crossed paths with Sarah on tour. Blown away by her performance with her band Dirty Revival, Dave kept in touch, and asked her to sing at a handful of Bay Area shows in 2022. Sparks flew, chemistry sizzled and the collaboration showed immense promise. She soon found herself in the studio with the group, lending her powerhouse pipes to “Natural Light” and “We Got U,” paving the way for the new album Love Time.“We’ve continued going down a path of funk, soul, and disco, but Sarah takes it all up a notch,” Dave smiles. “She has a unique way of approaching and lyrics, and she collaborates with the rest of us really well. We’re on the same road, but it has a different color to it.”“As soon as we started working together more, I was so inspired,” Sarah adds. “It’s an honor to play with musicians of their caliber, and I knew The Motet was where I wanted to be.” They wrote and recorded at a comfortable pace, locking into a groove throughout 2024. With Sarah based in Portland and the rest of the crew in Denver, they carved out pockets of time to collaborate on what would become Love Time.The Motet went on to tease the album with a series of singles, including "Love Time," "Thinkin Too Much," and “Something Better.” On the latter, a pliable guitar lick weaves around strains of organ anchored to a head-nodding beat. Sarah’s soulful delivery on “Something Better” simmers until it practically melts into the song’s strut. Through her lyrics and against this smooth backdrop, she wrestles aloud with the insecurities and anxieties of parenthood.“When Joey sent me the music, I was instantly drawn to it,” Sarah exclaims. “It gave me these feelings of listening to old Marvin Gaye. I wanted to bring some of that energy. Joey, Dave, and I all have kids, and there’s something about this world that can be a little scary as a parent. I was thinking of my son and wanting a better world for him.”&nbsp;On “Thinkin Too Much,” an electric guitar groove and slick drums shape the soundscape as the vocals resound with vibrancy and vitality. It culminates on a chantable chorus punctuated by a bit of wisdom, “Don’t be thinkin’ too much about it.”&nbsp;“I had such a fun time developing the lyrics with Jalbert,” Sarah says. “We quickly settled on a concept surrounding the difficulties that come with overthinking, anxiety, and how difficult it is to focus on the positive parts of life. Sometimes, we have to focus on the little things that bring us joy instead of the bigger things that make us crazy. Perhaps, that’s easier said than done.”On “Love Time,” a buoyant soundscape ushers bodies straight to the dancefloor. Revolving around slinky riffing and hypnotic synth-craft, the tune reaches its climax at just the right moment, “It’s make a little love time.”“‘Love Time’ was fun to write, because I decided not to take it too seriously,” Sarah reminisces. “I wanted something that felt bouncy and happy—It’s a silly, flirty thing that plays with themes of attraction, sex, consent, and the funny feeling you get when you meet a potential partner for the first time. It’s joyfully unserious. In true Motet fashion, all we want you to do is dance.”Then, there’s “Daydream.” A laidback slice of tripped-out funk bliss, Sarah sets the scene with no shortage of bright color, “Messages received, from neon greenery amidst the digital buzz, take me away.”“A few folks in the band have enjoyed psychedelics before,” she grins. “We wanted to address some of the feelings that can come about in that space. It’s talking about freedom of mental expression, but also kind of getting lost in that space in a very positive way.”&nbsp;“We’re all so thankful and excited to be here,” Sarah leaves off. “It was amazing to work on a studio record together, but the live show is where it’s at. Now, I’d encourage you to come out and see it for yourself.”As this new chapter gets underway, there’s still nothing like getting lost in the world of The Motet.

The Motet

St Catty’s Day celebration☘️House | UKG | Disco | ETCCat PassidyMr NoodylRicky TickySilk JammiesDrink Specials:$5 Green Beer$5 White Claw$7 Jameson$7 Guinness

St Catty's Day

Take it back to a simpler time, where pop and dance music went hand in hand at every party. The only party where you can get down to these iconic club bangers and fist bump all night long like it’s still 2012!💓 Good vibes only! 💓Featuring the music of...KE$HA • David Guetta • Rihanna • Avicii • Nicki Minaj • Akon • Icona Pop • Black Eyed Peas • Lady Gaga • Pitbull • Calvin Harris • ZEDD • Swedish House Mafia • Katy Perry • T-Pain • Lil Jon • Jason Derulo • DJ Snake • Selena Gomez • Afrojack • Kid Cudi • A-Trak • Drake • Beyonce • Dillon Francis • Soulja Boy • Miley Cyrus · Steve Aoki &amp; many more!Dress code: Swag, Y2KOfficial Party Spotify Playlist: <a target="_blank" rel="noopener noreferrer nofollow" href="https://open.spotify.com/playlist/58T8PKdTDWMN29rqMGbTbG?si=db63ff7352204ea6">https://open.spotify.com/playlist/58T8PKdTDWMN29rqMGbTbG?si=db63ff7352204ea6</a>*This is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event.Follow us on Instagram for updates, pics, song requests &amp; more @ <a target="_blank" rel="noopener noreferrer nofollow" href="http://sorryforpartyrocking.us">sorryforpartyrocking.us</a>

Sorry for Party Rocking

Michael Petzel aka Shlump grew up in California’s Bay Area, learning the guitar at age 9 and falling in love with music at first through the energy of metal and punk. Developing a taste for electronic music in high school via Aphex Twin, Squarepusher, and Warp Records, he began to jump into music production, combining drum loops with recordings of his guitar. After being blown away the sub bass in his intro to dubstep, Coki and Cluekid’s “Sensi Dub”, and experiencing his first west coast electronic music festivals, Michael’s love for bass music bloomed and he began to to develop his signature sounds as he dedicated himself to his music career. Infusing elements of classic dubstep with west coast flavor with otherwordly sound design, Shlump has pioneered his unique “Alien Bass” sound, creating a vibrant galaxy of bass filled with forward thinking nuance and massive waves of low end. His live sets take audiences across the continent on a psychedelic spaceship ride through Shlump’s universe, visiting high energy devastating supernovas of bass and voyaging into depeer realms filled with the cosmic twinkle of sonic stardust. Shlump has abducted the ears of a wide range of electronic music fans with releases on Wakaan, Deadbeats, Circus Records, Deep Dark &amp; Dangerous, along with collaborations with and remixes for artists such as Liquid Stranger, LSDream, and Doctor P. He has showcased his Alien Bass sound at festival stages such as Lollapalooza, Bonnaroo, Shambhala, Bass Canyon, and many more. While at home, Shlump enjoys skateboarding, hiking, and spending time with his kittens and family In between exploring the auditory mysteries of outer space.

Shlump

Magoo

G. Love & Special Sauce - Lemonade 20th Anniversary Tour

MarchFourth is a joy-inducing force of entertainment, celebrating their 22nd Anniversary this year. The colorful explosion of brassy funk, rock, and jazz is all about the groove. This larger-than-life group of 15 musicians, dancers and acrobats brings a spirit of celebration wherever they go. MarchFourth is, in a word, FUN!&nbsp; With exceptional musical quality and a visual kaleidoscope of performers, MarchFourth is a spectacle of high-energy compositions, colorful costumes, and irresistible charisma! M4 has been seen on stages from ESPN’s Espy Awards to festivals like Wakarusa, Bumbershoot, and High Sierra Music Fest, to world-class venues like The Kennedy Center, Hollywood Bowl, The Fillmore, and even a cultural exchange tour to China, sponsored by the US State Department. MarchFourth’s track “Gospel” (from their self-released album Rise Up, 2009) was featured as the closing credits theme song in the Disney/Pixar animated film, Monsters University. MarchFourth’s new album Worth It on sae now.&nbsp; “From the first note to the last, the sound was pumping and the fun never stopped.” &nbsp;~USAToday “Just when you think you’ve heard it all, suddenly a band crosses paths with your ears and changes everything… Full of auditory goodness...”&nbsp; ~NYS Music “Mighty, Explosive, Carnivalesque Brass Band Funk”&nbsp; ~New York Music Daily

MarchFourth

Five emerging Washington musicians take the stage for a live showdown in the final round of the Doc Swinson’s Opening Act Contest. Handpicked from nearly 200 submissions statewide, these finalists are playing for a coveted spot on the main stage at the 2026 Northwest Tune-Up bike + music festival. This is your chance to catch the next wave of Washington musicians—and help one earn their breakout moment.Set Times7:30 PM: Wasabi Samba8:15 PM: Henry Mansfield9 PM: Waves Crashing9:45 PM: Veronica North10:30 PM: LoveliBring your energy and pack the house: crowd reaction counts towards each band’s final score. Plus, Doc Swinson’s cocktail specials and VIP ticket giveaways to Northwest Tune-Up, July 10–12, 2026.6:30 PM doors | 7:30 PM show21+, free entryGet your free tickets in advance. The venue will reach capacity.

Artist Showdown

Opiuo with Willdabeast, Mr Noodyl Sunday, March 1st&nbsp; Wild Buffalo House of Music 7pm Doors | 8pm Show | 21+&nbsp; Opiuo is a genre-bending plethora of auditory and visual masterclasses. Born in 1984 in rural New Zealand, his parents provided the land upon which music festivals were held. This extremely formative growth surrounded by the early incarnations of Aotearoa’s electronic music scene exposed him to the celebration of life through self-expression, dance, and giant sound systems. These experiences shaped so much of who he is &amp; what he stands for today. Positivity and movement at the core of the project, his music is an infectious electronic based blend of funk, soul, psychedelia, and booty-shaking bass. Now calling Australia home, Oscar tours his party-starting music throughout the globe. Having spent more than a decade performing at some of the world's most renowned festivals and venues including Lollapalooza, Glastonbury, and Coachella, as well as selling out Colorado’s famous Red Rocks Amphitheatre multiple times, he’s performed his music in an unimaginably large array of formats. From self-built Orchestras, to collaborating with symphony choirs, touring his own Opiuo Band, and as an immersive solo audio &amp; visual show, his live creativity is limitless. Taking home the New Zealand Music Award for Best Electronic Album in 2014, his catalogue is vast. Having released 6 full-length albums, 10 EPs, and a myriad of singles and remixes over the last 14 years. In his own words, he is still "just getting started!".

OPIUO

<h3 style="text-align: center">LATIN • FUNK • AFRO • SOUL</h3><h3 style="text-align: center">With frontman Jean-Paul Builes as Creative Director, their TequilaFunk stirs up a rich batch of culture, music, and dance. Their rhythm-driven and dynamic landscapes pull from the Caribbean, West Africa, Queens, and JP’s new home base in Seattle. REPOSADO is a collective dedicated to using the power of music to connect and transcend. Channeling the musical stylings of Fela Kuti, Fania All-Stars, Curtis Mayfield, and James Brown, they create a modern bilingual activation. Bringing heart and inspiring all to get on their feet, this is music to honor the past, present, and future with hope, respect, and celebration.</h3><h3 style="text-align: center">MUSIC TO THE PEOPLE</h3><h3 style="text-align: center">Connection is an essential part of the Human Experience. Culture is born, Traditions are formed, and at the center is the music. Artists have a duty to bridge the gaps and provide perspective.&nbsp;Awaken your soul, find the rhythm, and let it guide you. Passed on for centuries and designed to move us and bring us together. Music is a gift meant to be shared. As Creative Warriors, our purpose is not just to play music, but use it as our weapon against Fear &amp; Isolation. It will be the source of our connection.</h3>Tune In &amp; Vibe Out.

REPOSADO

Wild Buffalo &amp; Bellingham Bassline PresentsGorillaTwith special guests&nbsp;Friday, February 27th&nbsp;Wild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;GorillaT is a high-energy, genre-defying DJ and producer known for his explosive bass-driven soundscapes and unforgettable stage presence. Breaking boundaries in the EDM scene, GorillaT fuses elements of dubstep, trap, and experimental bass, creating a sonic experience that captivates fans and ignites dance floors. Currently on the "Wonk Factory Tour," GorillaT hasgarnered a dedicated following with his intense performances and unique sound, consistently delivering tracks that resonate with both die-hard bass enthusiasts and newcomers to the genre.<iframe-embed src="https://open.spotify.com/embed/artist/3zcOegUrWqti1S0lu4juJz?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>

GorillaT

A dance party to move the seasonal depression away.Disco • House • Funk • Soul • UKGft. Mr. Noodyl &amp; Shadow Variable🕺🪩💖

Instant Disco 💿✨

You are invited to attend, Andy "Badd Dog" Koch's Big Birthday Adventure, Home Town Show!Touring the Northwest and Beyond from the Mountains to the Sea, Mexico to Alaska, Original Talent Buyer for Wild Buffalo, Andy is bringing it on home for another Night of Smokin' Hot Blues and Entertainment celebrating another trip around the Sun. Old Enough to Know Better to Late to Stop Now, Join Andy and the Badd Dogs when they take it from the top, One More Time!!!

Andy "Badd Dog" Koch's Big Birthday Adventure

Light The Night Tour CYTRUS and ELDRIDGE GRAVY &amp; THE COURT SUPREME 8pm doors&nbsp; 9pm show&nbsp;

Cytrus

Wild Buffalo Presents&nbsp;SkiiTourwith Mr Noodyl, Silk JammesFriday, February 20thWild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/5LVcxojBbX8xI4mGpQ5Zck?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>

SkiiTour

Come gather ’round, friends, for a real good time at the Wild Buffalo as we celebrate the life, the songs and the long, strange trip of Bob Weir.Led by&nbsp;Bellingham’s own Sleepy Alligators, setting sail with that familiar mix of cowboy chords, sideways rhythms and jams that can turn on a dime. With a whole mess of special guests dropping in, expect a night that moves like Truckin’ down the road — sometimes smooth, sometimes weird, always heading somewhere worth going. You might find yourself dancing through Sugar Magnolia, shouting the chorus to The Music Never Stopped, or drifting off into the wide-open spaces of Playing in the Band.Bob’s songs have always felt like campfire stories and road maps all rolled into one — tales of gamblers and drifters, hard rain and easy answers, Jack Straw runnin’ from town to town, Cassidy catching the light just right. One minute you’re stomping your feet, the next you’re spinning in place wondering how you ended up so far from where you started.So whether you’ve been on the bus since the Fillmore days or you’re just stepping aboard, come on down, shake your bones, and let’s roll away the dew. As long as there’s a band to play and a crowd to sing, you know one thing’s for sure — the music never stopped. 🌹💀⚡

Bob Weir Celebration 

Based in the rustic Kootenay mountains of Western Canada, Nathan Gurley and Sean Rodman of nationally renowned electro-folk duo Moontricks draw inspiration from the ongoing cycles of the natural world. Both volatile and constant—like nature’s best offerings—the band finds solace and beauty in the fusion of seemingly disparate elements. There’s a kind of technicolor campfire quality to their uniquely hybrid sound: Each track is steeped in tradition and polished with a futuristic sheen, mixing organic folk, roots rock, and old-time blues with modern electronic production. Since its initial release, the band’s breakout hit “Home” has reached over 10 million streams, and their original tracks have been licensed for a wide range of television networks, including Netflix and Fox Sports. With the release of their debut full-length album Currents via Westwood Recordings, the duo reveals an ever-evolving, cohesive blend of introspective writing, soulful, gritty blues, boot-stomping basslines, and intricate electronic arrangements. Vast, intimate, and dazzling, Currents is an album about settling into feeling comfortably lost, and being okay with not knowing it all. It’s about finding joy and inspiration in the act of seeking.

Moontricks

<a target="_blank" rel="noopener noreferrer nofollow" href="https://cherublamusica.com/">Cherub</a> <iframe-embed src="https://www.youtube.com/embed/E45fogGN_Y8?list=OLAK5uy_kHzZtgX8WrTiS5dYaZ6mRR04sHEHWcGOo" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="638" width="1134" style="" metaposition="flex-start" metatype="youtube"></iframe-embed> Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find twosweethearts in a Nashville garage. Just as they were yesterday, the day before that, and yearsprior. Searching for the perfect combination of string plucking, button pushing, and knobturning to craft the ideal sound to make you forget your world and step into theirs. Theaforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It all began in 2010 at Middle Tennessee State University. The two met as Jason was playingaround town with local bands and Jordan was crafting what would become known as their firstalbum,&nbsp;Man of the Hour. A few years later, it was the song “Doses &amp;amp; Mimosas” that caught theattention of the public and gained the interest of Columbia Records, who signed the duo in2013. Their four-year major label run brought their fans two LPs,&nbsp;Year of the Caprese&nbsp;and&nbsp;BleedGold Piss Excellence, while also sending them around the world playing festivals such asLollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, SummerSonic,&nbsp;and headlining four US tours. Now, a double platinum record and over 300 millionSpotify streams later, the bond between them remains “unfuckwithable,” as they constructtheir newest batch of genre-defying anthems.Their latest chapter sees Cherub sharpening their stakes with their brand-new album EverythingChanges and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and“Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’schair, turning their garage-grown vibe into something polished and immediate. “Motion” leansinto their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, provingthey still know how to flip the switch. As Huber put it earlier this year: “This record is usembracing where we’ve been and moving fast toward where we want to go.”From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspirationfrom everything around them. There’s no doubt that the latest Cherub efforts will win overtheir existing audience and draw new listeners to their established brand of debauchery. Fromyour ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find away. LCN!&nbsp; LCN! is a Filipino singer, songwriter, and recording artist from Seattle whose music blends indie pop, alternative rock, and electronic influences. He has toured across North America opening for artists such as Car, the garden, Henry Morris, and Pity Party (Girls Club). Now signed to 88rising, LCN! continues to build his legacy as a bold and innovative Asian artist, leaving a lasting mark on the music scene.&nbsp; <iframe-embed frameborder="0" allowfullscreen="true" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>

Cherub

Love of House 3 Year AnniversarySunday, February 15Wild Buffalo Bellingham, WA21+In February 2023, Love of House began as a simple idea in Bellingham: throw a house music night at the Wild Buffalo. Three years later, that idea has grown far beyond its humble beginnings, reaching dance floors across the West Coast and building a community of producers from across Canada and United States, while still staying rooted in the place where it all started.On February 15, we return home to the Wild Buffalo for a very special night: the Love of House 3-Year Anniversary. This venue and this city are where Love of House was born, and Bellingham remains the heart of the community we’ve built together.This anniversary lineup is a celebration of that journey. It features some of our favorite artists who have shaped Love of House over the years, alongside new faces who continue to push the sound forward. Every artist on this bill has contributed meaningfully to the Bellingham scene, helping cultivate the culture that made Love of House possible.The night will primarily celebrate house music, while also weaving in UKG, bass house, techno and more! As we step into year four, this night is about gratitude, growth, and community. Thank you to everyone who has danced with us, supported us, and believed in this project along the way. We can’t wait to celebrate together, right where it all began.See you on the dance floor.

Love of House 3 Year Anniversary

Named after Eros, the Greek god of carnal love, Eros Party is a bold, body-positive, kink-themed dance party featuring DJs, drag, burlesque, and pole performances. Expect an inclusive, high-energy night filled with seductive performances, expressive fashion, and an atmosphere that celebrates pleasure, creativity, and connection. Dress boldly, dance freely, and indulge in a night where pleasure, art, and community collide.

Eros Party

The VIP package includes:&nbsp;Acoustic performance and Q&amp;A with HayesPhoto and signing opportunity with HayesLimited edition tour poster &amp; laminate10% off merchandise at the showEarly access to the venue<a target="_blank" rel="noopener noreferrer nofollow" href="https://shop.hayescarll.com/products/vip-experience-the-wild-buffalo-bellingham-wa-february-13th-2026">https://shop.hayescarll.com/products/vip-experience-the-wild-buffalo-bellingham-wa-february-13th-2026</a>Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what todo or think. But he is charting out a personal guide for his life, quieting the noise, and sittingwith his real voice - the one that’s candid, consistent, and often inconvenient.We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understatedmasterpiece, an honest snapshot of one man’s confrontation and delight with humanity’sbiggest and most intimate questions. Where do we find forgiveness for ourselves and gracefor others? How do we hold on to peace of mind and stay present? What can we—andshould we––trust? And how can we moor ourselves to, well, ourselves, in the midst ofconfusing, trying times? We’re Only Human offers audiences the chance to listen to Carll ashe listens to himself.“I’ve lived outside of myself for so long,” Carll admits. “Distractions, fear, anxiety, insecurity,and the complexity of being human in this world have so often pulled me away from beingpresent or at peace.”“I feel like there’s been a voice riding shotgun all my life, pushing me to do better, but I’vestruggled to listen to it,” Carll says. “The idea behind this record was to do the personalwork I needed to do, then codify those lessons in song to serve as sort of breadcrumbs toget me back on the trail if, and inevitably when, I get lost again.”Carll is more than two decades into a celebrated career. Praise from places such asPitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle toughissues with wry humor to Bob Dylan––punctuate a resume that includes Americana MusicAwards and a Grammy nomination. His songs aren’t safe, but many of Nashville’s starshave recorded them, including Kenny Chesney, Lee Ann Womack, and Brothers Osborne.As a solo recording artist, Carll has long-since established himself as one of Americana’smost-played––and most loved––voices. His warm but crackling vocals, wit, and heart dancethrough wordplay that’s always clever, and never too precious. Through it all, wheneverCarll points a finger, it’s most often at himself.As We’re Only Human collects moments of Carll figuring out how to be with himself, thesongs feel forthright, hopeful, and timely. In today’s onslaught of instant gratification,rage-baiting headlines, glorified intolerance, and falling empathy, the record is a startlingoutlier: an artist’s raw, real-life effort to live well—both with himself and others. Carllembraces private epiphanies, and shares them with the world, allowing them to unfold for allto see and share.Of course, We’re Only Human is also art. So while appreciating the motivation andcompelling themes driving it will underpin the listener’s experience, Carll’s album alsomatters because of the sheer brilliance of its execution. These are songs composed by awriter’s writer, wielding his considerable skill with precision and beauty.The album’s title track unfolds with plaintive piano and a mantle of grace. Carll sings, with acalming sincerity, “We’ll do most anything to avoid the pain / Hiding our hearts and castingthe blame / 6,000 tongues, but we’re all the same / Ain’t no need to carry that shame /‘Cause we’re only human.”Hard-won minutes of quiet clarity inspired some of the record’s most beautiful moments.Accented by bright mandolin and soft, simple percussion, “Stay Here a While” captures apeaceful reprieve from a racing mind. “I remember sitting on the couch, looking out thewindow, watching the birds do their thing,” Carll says with a laugh. “I got lost in their lives fora moment, and it was such a wonderful feeling because my mind is always going in circles,seeking excitement, and frankly, just thinking about myself. I enjoyed the peace I felt in thatmoment and I thought, this is lovely and I’d like to stay in this place.” Carll shared thattakeaway with MC Taylor, aka Hiss Golden Messenger, who not only could relate, buthelped finish the song.“High” offers another invitation to stop and breathe. Opening with a solo horn, flute, andstripped down piano, the track is lovely and sincere, with Carll’s signature humor hoveringcomfortably nearby. There are also times when Carll’s sharp wit comes roaring to theforeground. “Progress of Man (Bitcoin and Cattle)” sends up society’s disorienting––andconflicting––forces, while “Good People (Thank Me)” is a masterclass in comedic timing,stubborn humanism, and the untapped potential of gratitude.A dogged insistence on acceptance, both of one’s self and others, courses through thealbum— as does Carll’s determination to hold himself accountable. “If I’m judging others,then I’m not having to look at myself,” Carll says. “I’m flawed as hell, judgmental, and criticalof myself and those around me. That’s a loop that feeds itself. But I figure If I can look atmyself clear-eyed and acknowledge my own shortcomings, it might help me have somegrace and acceptance for myself and others.”It’s that sort of harmonious duality––embracing one’s self and confessing one’s ownmistakes––that solidifies the record’s big-hearted honesty. “The creative process was inlarge part a self-therapy session. I don’t think that would work if I was only looking ateveryone else’s issues,” Carll says.A moving series of grounding vignettes, realizations, and self-love roll through “What I WillBe,” as Carll promises to not compromise himself to fit in. A slow-burning, blues-tingedstandout, “I Got Away with It” is painful and gorgeous. Brimming with hope, “One Day”balances the work Carll sees as necessary with the certainty that satisfaction, contentment,and peace are reachable by trusting in yourself and the universe.Featuring a parade of Carll’s longtime friends, album closer “May I Never” is a plea tohimself. As Ray Wylie Hubbard, Shovels &amp; Rope, Darrell Scott, Nicole Atkins, and TheBand of Heathens’ Gordy Quist and Ed Jurdi each take verses, listeners are swept up in aresolute promise to keep after good. “It brings up a lot for me when I hear them singingthose lines,” Carll says. Each of those people - whether they know it or not - have played apart in my story, and it’s gratifying and humbling to me to have them lend their voices to thissong.”In the end, Carll’s latest album is a lovingly and purposefully written collection of reminders.“I hope other people find something in it, too” Carll says. “Through it all, I am trying to stayappreciative, knowing that I did what I set out to do: write something that can help menavigate this journey with a little more grace and peace.”

Hayes Carll

“Embrace new change, and take it day to day.” “Growing Pains”With curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N., not unlike Bruce Springsteen and the E-Street Band.“We’ve dedicated our lives to doing this, so we want to give it 130% of our energy,” says the unapologetic leader of Andy Frasco &amp; The U.N., which has grown from playing bars to touring more than 250 days a year all over the country. “We don’t chase the latest trend down the rabbit hole. This is who we are. You don’t have to be in the cool club to enjoy our music. We’re all in this together.”Those experiences are summed up on Growing Pains, the group’s landmark 10th studio album (along with two live records), and first full-length effort since 2023’s L’Optimist, which showcases Frasco’s growth as a tunesmith in his own right.“I wanted to show people how I’ve grown as a songwriter,” said Frasco. “That I wasn’t just a crowd-surfing party guy in a bar band. This record is about finding a balance in both music and life, focusing on the simple pleasures. It’s about living in the present moment and taking nothing for granted because there are no guarantees tomorrow.”Produced by Frasco himself for the first time, the collection’s centerpiece is the anthemic “Try Not to Die,” a glass half-full anthem to seizing the day that combines country twang with an easy island breeze in its affirmative message (“Enjoy what you got/Forget what you’re not/Remember that love comes first”).&nbsp;“My goal as a musician and songwriter has always been to get people out of their echo chambers to grow,” says Andy. “You can’t grow unless you hear both sides. My hope is people break out of their depression and think of a different way to live life. I try to write optimistically depressing songs. I’m always looking for silver linings.”&nbsp;“Life is Easy,” featuring bluegrass superstar Billy Strings, Daniel Donato’s Cosmic Country and co-writer/frequent collaborators Steve Poltz (Rugburns, Jewel) and Chris Gelbuda (Meghan Trainor), is a folk protest anthem, with under-the-radar tongue-in-cheek lyrics like “They’re selling us the blood/While they’re all bleeding us.”“We’re all just consumers being sold something,” he explains. “We don’t see what’s being put in our McDonald’s burgers or our juices. It’s like they want to squeeze the lemon until it’s dry.”Both “Tears in My Cocaine” and “How to Cure a Heartbreak” deal with addiction and getting sober, the former with great lines like “I’m texting all my exes,” the latter with the admission, “I try to fill my soul with substance/But my bucket’s filled with holes.”“Why do we put these things in our bodies to cure the stuff that’s in our heads?” wonders Andy. “That’s not going to cure it, it will only suppress it.”“Swinging for the Fences,” featuring cameos by G. Love and Eric Krasno (Lettuce, Tedeschi Trucks Band Soulive), is a Motown-flavored paean to dating someone out of your league. The playful “They Call Me Hollywood (But I’m from LA),” co-written with frequent partner Kenny Carkeet, features rapper ProbCause, while the title track is a sing-song, hip-hop-influenced rhyme about embracing change and taking it day-to-day. “These thoughts are nothing without action,” sings Frasco.“Easier” takes a martial beat to an old-school folk anti-war protest sing-along with lines like “Why do we like to fight/When it’s easier to shine some light?” a reaction to the ongoing conflict in the Middle East.Having bought a home in Denver five years ago, Frasco wrote most of the new album in Nashville with his longtime guitarist Shawn Eckels, and frequent songwriting partners Chris Gelbuda, Steve Poltz, and Andrew Cooney, choosing musicians “for what was right on each song… I’m finally learning how to turn my thoughts into melody. That was the hardest part for me.”Frasco’s entrepreneurial ability was meant for the music business from the time he was a teenager growing up in L.A.’s San Fernando Valley “stuck between rock ‘n’ roll and ‘Purple Haze,’” a fourth-generation Los Angeleno native poring over attorney Don Passman’s All You Need to Know About the Music Business and Guerilla Marketing. Starting his professional career by DJ’ing at his friends’ bar mitzvahs, Andy started booking and managing bands while still in high school, even going on the road as a tour manager. After stints working at Drive Thru, Capitol and Atlantic Records, Frasco taught himself to play piano, dropped out of college, then used the rest of his bar mitzvah savings to buy a van to tour on his own. He picked up a backing band at each stop in the tradition of Chuck Berry, emulating his own larger-than-life childhood blues heroes BB King, Dr. John and Buddy Guy.Fifteen years later, Andy Frasco &amp; The U.N. -- Ernie Chang (saxophone), Shawn Eckels (guitar, vocals), Andee "Beats" Avila (drums, vocals), and Floyd Kellogg (bass guitar) – have gone from a bar band to a festival, shed and theater attraction, regularly playing before sold-out crowds with a show that finds them segueing from a world-class soul review to a jam band to blues-busters, hip-hoppers and punk rockers (with covers of My Chemical Romance’s “Teenagers,” Talking Heads’ “Psycho Killer/Life During Wartime,” Rage Against the Machine’s “Killing in the Name” and Clash’s “Train in Vain” peppering the playlist), all in the same set. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them, an Andy Frasco &amp; The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.”“I came into this life wanting to write songs,” said Frasco. “It took 15 years, but I feel I’m starting to get credit for it. My cup is full. I’m really starting to see my dreams come true.”

Andy Frasco & The U.N.

Bad Bunny Dance Night is BACK!!! This dance night brings the electrifying, genre-defying energy of Bad Bunny alongside artists like J Balvin, Karol G, Rosalía, and Rauw Alejandro. With a mix of reggaeton, Latin trap, electronic and global hits, this night will have you moving to tracks and remixes that embody dynamic flair and unapologetic spirit. Expect a high-energy, immersive atmosphere where the music fuels celebration, self-expression, and connection all night long! *This is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event. Follow us on Instagram for updates, pics, song requests &amp; more @ pauzpresents

Bob Marley’s Birthday Bash!&nbsp; with the Return of Reggae Night at the Wild Buffalo ft. The Blessed Coast Soundsystem (ft. Yungg Trip aka DJ Triple Crown and DJ Ryan I)&nbsp; We are bringing back the longest weekly night that Bellingham has ever experienced, REGGAE NIGHT! And we are doing so on the legendary Bob Marley’s Birthday.&nbsp; Yungg Trip aka Triple Crown and DJ Ryan I held down the decks at the Callaloo and Wild Buffalo for twelve years and we are bringing them back together for a night of One-Love.&nbsp; Reggae, Dancehall, Reggaeton, Hip Hop, and more all night long.&nbsp; This is a redemption about love for this community. If we come together and join together in song, every little thing is gonna be alright.&nbsp;

Bob Marley Birthday Bash

After a meteoric rise from obscurity to a national touring band, Los Angeles-based Grateful Shred has made the most of its time in the spotlight. The lineup, featuring Dan Horne and Austin McCutchen alongside keyboardist Adam MacDougall woke the Grateful Dead cosmos with a unique laid-back harmony driven sound. The band literally went from playing the Shakedown Street vendor area prior to Dead and Company shows to touring the United States.The moment that sent the band’s popularity soaring is the “Busted at the Bowl” video, a YouTube video that features Shred members starting an impromptu set in the parking lot of the Hollywood Bowl before a Dead and Company show in 2017. They don’t get too far before drawing so much attention that the police shut them down. Instantly creating Shred-cred, this was a bit of good fortune that doesn’t get past McCutchen. “We’ve been dealt some pretty good cards,” he states. “It’s been cool to roll with it and push forward and continually make stuff happen. Things have gone our way. Even that video happened magically. It was put together at the last minute, and boom!”The thing is, Grateful Shred manage to channel that elusive Dead vibe: wide-open guitar tones, effortless three-part vocal harmonies, choogling beats, and yes, plenty of tripped out, Shredded solos. The look, the sound, the atmosphere. It’s uncanny. Far from being a historical re-enactment, Grateful Shred’s laissez faire vibe infuses the band with a gentle spirit, warmth, and (dare we say it) authenticity. From their killer merch game to their eminently watchable YouTube channel, they’re clearly having a rad time and spreading the love. Strangely enough, in a world overflowing with wax museum nostalgia and Deadly sentimentalism, we need the Shred, now more than ever. Grateful Shred is: Austine Beede, Dan Horne, Alex Koford, Mikaela Davis, Adam MacDougall, Austin McCutchen, John Lee Shannon

Grateful Shred

Tank and the Bangas

Wild Buffalo Presents&nbsp;JAENGAwith special guests&nbsp;Friday, January 30th&nbsp;Wild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;<iframe-embed src="https://open.spotify.com/embed/artist/6eANYjiwIF3p73lhirhxGI?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>

JAENGA

Due to unforeseen&nbsp;circumstances, tonight's Glitterfox show at Wild Buffalo is postponed.&nbsp; A rescheduled date will be announced soon and tickets purchased&nbsp;for tonight's show will be honored at the rescheduled date. We are just as bummed out as you are but we’re very much looking forward to having them back on our stage. :( GLITTERFOX <iframe-embed src="https://www.youtube.com/embed/IBYLxJzxcXI" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="701" width="1246" style="" metaposition="flex-start" metatype="youtube"></iframe-embed> Glitterfox doesn’t chase the algorithm—they follow instinct, community, and a kind of magia (Basque for magic). Formed by longtime creative partners Solange Igoa and Andrea Walker, the Portland-based band has built their career the analog way: a van, a map, and unforgettable shows stitched across towns like constellations. Their rise has been defined by raw connection and fearless self-expression, with music that fuses garage rock grit, new wave shimmer, southern Americana soul, and a dancefloor pulse—all tangled with heart and heat until what emerges is unmistakably, inimitably <a target="_blank" rel="noopener noreferrer nofollow" href="http://Glitterfox.Now">Glitterfox.Now</a> joined by Eric Stalker and Blaine Heinonen, Glitterfox is more than a band—they’re chosen family, held together by sound and the invisible threads that music always knows how to weave. Whether launching Portland’s annual Glitterfest as a wedding reception or channeling the messy middle of life into something unforgettable, Glitterfox’s gift is their transparency, their defiance, and their freedom—sung loud.

Glitterfox - POSTPONED

Karl Denson's Tiny Universe

Nite Wave presents:The Cure, Depeche Mode &amp; New Order Tribute NightJanuary 24th, 2026 at Wild BuffaloDoors at 8 pmLive Music from:The Lovecats (The Cure Tribute)New Life (Nite Wave's Depeche Mode Tribute)Age of Consent (Nite Wave’s New Order Tribute)Tickets $25 Advance $30 DOS

Nite Wave (SOLD OUT)

Talib Kweli

Bellingham Bassline is taking over The Wild Buffalo for their first-ever 21+ event. Step into a wonderland of dubstep, riddim, bass house, and more, featuring four local artists and producers - complete with full laser production lighting up the room.Come grab a drink and fall down the rabbit hole with us.

Alice in Wubland 

<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/dndqlive/?hl=en">DUNGEONS AND DRAG QUEENS</a> Bio: Witness high-fantasy, high-heeled, high-rolling, high-larity as three Drag Queens play Dungeons and Dragons Live! Since starting in Seattle, the show has inspired many, and now sells out across the country and globe (Canada)! Dungeon Master Comedian Paul Curry and improvisational violinist Carson Grubb will lead three Drag Queens on a brand-new storytelling adventure, with danger, snark and audience participation around every precarious corner. Experience the adventure, or fail your quest- at Dungeons and Drag Queens! <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/dndqlive/?hl=en">Dungeons and Drag Queens Instagram</a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.tiktok.com/@dndqlive?lang=en">Dungeons and Drag Queens TikTok </a>

Dungeons & Drag Queens

<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.noahgundersen.com/">Noah Gundersen</a> Morgan McHugh

Noah Gundersen

Preston Charles, aka SubDocta, exploded onto the scene in 2017 with his wildly successful single “2009 Was Tight”, catching support from some of the biggest names in dance music. SubDocta is known for producing his own brand of dubstep and bass music that he has dubbed “West Coast Wobble”, paying tribute to his upbringing on the west coast of the US.Since 2018, SubDocta has been seen on a number of high profile tours, playing countless sold out shows with Ganja White Night, Excision, Riot Ten, Dirt Monkey, and Boogie T, amongst others. He also headlined 3 of his own tours since 2022 with support acts like Zingara, Black Carl, and sfam while having performed at multiple festivals including Lost Lands, Bass Canyon, Wakaan Fest, Dancefestopia, Freaky Deaky and more. Frequently supported by his peers, SubDocta has released many EPs and singles over the years and a full length album with prominent labels Subcarbon Records, Wakaan Records, Bassrush, Deadbeats, Drama Club and more.&nbsp;

SubDocta

A celebration of the best ethereal &amp; euphoric electronic anthems all night long. Join us on the dance floor! <img style="text-align: start" src="https://fonts.gstatic.com/s/e/notoemoji/16.0/1fae7/72.png" alt="🫧"><img style="text-align: start" src="https://fonts.gstatic.com/s/e/notoemoji/16.0/2728/72.png" alt="✨"> A tribute to the hits from Rufus Du Sol, Flume, John Summit, Disclosure, Kaskade, ODESZA, Hayden James, Dom Dolla, Bob Moses, Lane 8, Fred Again…, Zhu, Duke Dumont, Gorgon City, Nora En Pure, Kaytranada, Jamie xx, Peggy Gou, Yotto, SG Lewis &amp; many more! <img style="text-align: start" src="https://fonts.gstatic.com/s/e/notoemoji/16.0/1f4ab/72.png" alt="💫"> Get into the vibe of the party here: <a target="_blank" rel="noopener noreferrer nofollow" href="https://open.spotify.com/playlist/305ZYb91t3mmBpyVXWKHtF?si=4d7a718a4fa84008￼￼*This">https://open.spotify.com/playlist/305ZYb91t3mmBpyVXWKHtF?si=4d7a718a4fa84008 *This</a> is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event. Follow us on Instagram for updates, pics, song requests &amp; more @ <a target="_blank" rel="noopener noreferrer nofollow" href="http://clubblush.party">clubblush.party</a>

Club Blush

<h4>WILD BUFFALO TICKETING POLICIES</h4>All of our events are 21+.All tickets are final and non-refundable except in the event of a cancellation, as is displayed within the terms and conditions. We are an exclusive VenuePilot venue and do not accept tickets from third party resellers such as StubHub, Vivid Seats, etc. There are a lot of ticket scam websites. Please make sure that you are purchasing your tickets through the Wild Buffalo and VenuePilot.In the case of an event cancellation without a rescheduled date, a full refund will be automatically issued to each patron on the credit card used to purchase or a mutually agreeable credit will be issued. By purchasing a ticket to this event, you agree to this purchase policy. Before purchasing your tickets, we highly recommend that you confirm the artist/band(s) name, time, and location of the event.Once you have purchased tickets, you will receive a confirmation email. You do not have to print that out as you will be added to the Will-Call List under your name with the amount of tickets you have purchased. If you have any questions regarding the ticket(s) that you purchased, please send an email to <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:tickets@wildbuffalo.net">tickets@wildbuffalo.net</a><h4> </h4><h4></h4><h4>TRAVELING?</h4>Please visit our<a target="_blank" rel="noopener noreferrer nofollow" href="https://wildbuffalo.net/accommodations/"> LODGING PAGE</a> to get preferred rates from the hotels that we work with. Thanks again for all of your support!

Yellow Peddled Flowers | Aefect | Tiger Penis

IMAGINE GOING TO A SHOW AND HEARING TAKING BACK SUNDAY, FALL OUT BOY, PANIC! AT THE DISCO, MY CHEMICAL ROMANCE, AND MORE, ALL PLAYING THEIR BEST SONGS...ALL NIGHT LONG.WELCOME TOTHE EMO NIGHT TOUR

The Emo Night Tour

Wild Buffalo Presents&nbsp;Yheti x Toadface&nbsp;with special guests&nbsp;Friday, January 9th 2025&nbsp;Wild Buffalo&nbsp;8pm doors | 9pm show | 21+&nbsp;

Yheti x Toadface

See you Thursday for Instant Disco 💿✨A dance party to move the seasonal depression away.Disco • House • Funk • Soul • UKGft. Mr. Noodyl, Shadow Variable &amp; DJ Ramen🕺🪩💖

<h3>I Want It That Way: 90s/2000s Party</h3>Friday, January 3rd Wild Buffalo – Bellingham DJ Boombox Kid&nbsp;spinning all your Y2K favoritesGet ready to tear up your heart (in the best way possible)! Join us for “I Want It That Way”&nbsp;— the ultimate throwback dance party packed with your favorite hits from NSYNC, Backstreet Boys, Spice Girls, Britney Spears, Christina Aguilera, Destiny’s Child,&nbsp;and more!Sing it. Dance it. Live it. Come dressed in your best 90s &amp; 2000s fits — low-rise jeans, frosted tips, butterfly clips, and flip phones encouraged!Grab your crew and your tickets early — this one’s gonna sell out faster than a TRL countdown!

🎤 I Want It That Way: 90s/2000s Party 🎶

The Karaoke Party! with your Host Lotionberry and the Legendary Prize Wheel! Saturday, November 1st Wild Buffalo House of Music 8pm Doors | Get on the Mic at 9pm | 21+ | No Cover | Amazing Prizes | Great Drink Specials Step into the spotlight at The Karaoke Show! hosted by the one and only Lotionberry and featuring the Legendary Prize Wheel. Sing your heart out to your favorite songs and you could be one of the lucky participants that flips the coin to spin the wheel—every spin wins! Prizes range from free tickets to any show at the Wild Buffalo to T-shirts, swag bags, and other surprises. Doors open at 8:30pm, karaoke starts at 9pm. 21+, no cover, amazing prizes, and unbeatable drink specials all night long!&nbsp;

The Karaoke Show! 

Celebrate New Years Eve with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.beatsantique.com/">Beats Antique</a> Wild Buffalo House of Music Wednesday, December 31st8pm Doors | 9pm Show | 21+ You can’t know Beats Antique until you’ve been a part of its journey, and experienced the act as an entity with a life of its own. A stage show that demands more music; music that needs costumes, ships and masks and shadow dances; an audience that comes for art, and takes away stories to feed their imagination.Commitment to the full performance art form is how Beats Antique fuses musical worlds, pulling on global sounds for experiments on the fringes of cinematic cabaret, informed by electronic mash-ups and inspirations who have joined them on the journey such as Les Claypool, Alam Khan, The Glitch Mob, Too Many Zooz and the Preservation Hall Jazz Band. <iframe-embed src="https://www.youtube.com/embed/TEe6WcT4GFA" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="636" width="1131" style="" metaposition="flex-start" metatype="youtube"></iframe-embed> If you were unable to get tickets to Beats Antique at the Wild Buffalo or are looking for something to do before the show, we encourage you to go <a target="_blank" rel="noopener noreferrer nofollow" href="https://thedenbellingham.com/">The Den</a>! It’s Bellingham’s Living Room right around the corner on 1319 Commercial St.&nbsp;

New Years Eve with Beats Antique

Ring in the New Year at The Den — Bellingham’s Happiest Bar. Join us on Tuesday, December 31, 2025, as we count down to 2026 together. $10 advance tickets guarantee entry and include a complimentary champagne toast at midnight. The Den is a place to come together — to celebrate with old friends, new friends, and everyone in between.Dress to the nines if you’d like, or just come as you are. However you show up, you’re welcome here. We’re here to make New Year’s Eve — and all of 2026 — a place for everyone to enjoy. So don’t drop the ball… leave that up to us. 🥂

New Years Eve at The Den

One of the Northwest's favorite bands, The Walrus has been energizing&nbsp;clubs, parties, weddings,&nbsp;and&nbsp;outdoor events&nbsp;since 1995. In January 2015, The Walrus was selected to play for pre-game festivities at the NFC Championship game at CenturyLink Field. The band's vocally rich and intricate arrangements include songs by the Beatles, Queen, the Jackson 5, the B-52s, Led Zeppelin, Sly &amp; the Family Stone, Tom Petty, The Police, Stevie Wonder, Jefferson Airplane, Heart, The Trammps, CSNY, Talking Heads, Aretha Franklin, and many others. The Walrus is made up of five seasoned professionals who care about making every event and performance fun, smooth and enjoyable for all. All band members sing, enabling the band to perform songs most cover bands would never think of even trying, such as Queen's "Bohemian Rhapsody.”&nbsp;

The Walrus 30th Anniversary Show

Electric Feel is a DJ dance night that blends pulsating electronic beats with infectious rhythms, catchy hooks, and a healthy dose of rock-and-roll swagger. Come dance to the music of:JusticeMstrkrftThe Dare&nbsp;LCD Soundsystem&nbsp;The Twelves&nbsp;M.I.AKid Cudi&nbsp;Charli XCX&nbsp;Troy Sivan&nbsp;Purple Disco Machine&nbsp;Odesza&nbsp;MGMT&nbsp;Gossip&nbsp;A-Trak&nbsp;Vampire Weekend&nbsp;Chromeo&nbsp;The Rapture&nbsp;Yeah Yeah Yeahs&nbsp;Empire of the Sun&nbsp;SG Lewis&nbsp;La Rouxand many more…

Electric Feel

We are fulfilling our holiday tradition this year by hosting our annual Christmas Karaoke on Thursday, December 25th! Come belt out your favorite tunes on the Wild Buffalo stage and be jolly with all of your friends and family. No cover all night. Christmas Karaoke Hosted by LoLoLo Wednesday, December 25th Wild Buffalo House of Music 7pm Doors | Karaoke Starts at 8pm | 21+ | No Cover

Christmas Karaoke

<h4 style="text-align: center">“40 oz. to Freedom is the Country's Premier Sublime Tribute Band!”</h4>‘40oz to Freedom’ is an accomplished and highly energetic Sublime tribute band and winner of the 2010 San Diego Music Award for Best Tribute Artist. 40oz has toured the entire US, Canada, and Mexico for more than 16 years, amassing a loyal and enthusiastic following. They are authentically the closest thing to Sublime, since Sublime. 40oz was founded in SoCal in 2007 and is currently based in Denver, CO.<iframe-embed src="https://www.youtube.com/embed/C0ifjZwE0NA" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="378" width="660" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>

40oz to Freedom

Bohemian Slapcity Presents:LowcationSpecial Guest: FerrofluidLive Analog Liquid Visuals by Liquid GlitchSupport by: Slayde, Syren, MystrEFriday December 19th, 2025&nbsp;Wild Buffalo8pm Doors | Flow-Jam 8-9pm | 9pm show21+ Lineup/Times:&nbsp; 8-9pm - MystrE: Flow Arts Spin Jam9-9:45pm - Syren9:45-10:45pm - Slayde10:45-11:45pm - Ferrofluid11:45-1am - Lowcation&nbsp; Lowcation bio: Bass producer Lowcation is known for his blend of organic beats and natural atmospherics rippling with powerful low-frequency energy. The result is a rich body of work that will move a crowd as well as the solo traveler.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/lowcationmusic">https://www.instagram.com/lowcationmusic</a><iframe-embed src="https://open.spotify.com/embed/artist/2ZDOuw4H9VnD6sB3Lsjmta?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>Ferrofluid bio:&nbsp; Ferrofluid weaves deep basslines with hypnotic textures that perfectly balance ebb and flow. His sets feel like an endless state of evolution, keeping the listener on their feet and lost in the groove.&nbsp;&nbsp;&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/ferro.fluid">https://www.instagram.com/ferro.fluid</a> <iframe-embed src="https://open.spotify.com/embed/artist/2jcayThJiEGB4mF6YBTEPl?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="spotify"></iframe-embed>

Lowcation

✨🎤 HANNAH MONTANA DANCE PARTY! 🎤✨You get the best of both worlds… and the best of 2000s Disney Channel bangers 😎💫We’re throwing a full-blown throwback night packed with all the songs you grew up with:Miley Cyrus • Jonas Brothers • Hilary Duff • Aly &amp; AJ • Demi Lovato • The Cheetah Girls • Zac Efron • Selena Gomez • Lizzy McGuire • Jesse McCartney • Sabrina Carpenter &amp; sooo much more 💖⭐⚡ Come relive your Disney Channel era, dance out your childhood nostalgia, and help us celebrate @potaaytoe BIRTHDAY 💿🌈💅 Costumes Encouraged📅 Thursday, December 18th📍 Wild Buffalo⏰ Doors at 8🎧 @Keagssss__

✨🎤 HANNAH MONTANA DANCE PARTY! 🎤✨

Ryan Stiles &amp; Friends: A Fundraiser for the Upfront TheatreJoin The Upfront Theatre for a night of fundraising and fun-raising with friend of the theatre,&nbsp;Ryan&nbsp;Stiles! Upfront performers will be joined&nbsp;on stage by renowned improviser,&nbsp;Ryan&nbsp;Stiles, for a&nbsp;show&nbsp;full of laughs, games, and scenes inspired by your suggestions. In addition to the show,&nbsp;The Upfront will be holding a silent auction before show start and during intermission. Place a bid and you could win a year of shows at the Wild Buffalo, a year of shows at The Upfront, a signed show poster and more!&nbsp;All proceeds raised will go to support The Upfront Theatre, a&nbsp;501(c)(3) nonprofit.&nbsp;This&nbsp;show&nbsp;is 21+ and seating is first come first serve. <iframe-embed src="https://www.youtube.com/embed/O9-xJarRPpE" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="636" width="1131" style="" metaposition="flex-start" metatype="youtube"></iframe-embed><iframe-embed frameborder="0" allowfullscreen="true" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>

Ryan Stiles & Friends

Minneapolis songwriter&nbsp;Mason Jennings&nbsp;shares his new video for the single, “Only Lovers Welcome” from his brand new album,&nbsp;Underneath The Roses&nbsp;out now via Loosegroove Records.&nbsp;Underneath The Roses&nbsp;is available on limited-edition colored vinyl and is available&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://orcd.co/underneaththeroses">here</a>.&nbsp;&nbsp;Watch and share the video for “Only Lovers Welcome”&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=yJViLOk_zLQ">here</a>. &nbsp;Jennings writes that the songs from&nbsp;Underneath The Roses&nbsp;were, “Written in an unprecedented burst,” following the birth of his son, Western, in March 2022. Jennings explains, “I hadn’t written any songs in about a year. I had been dealing with the psychological after effects of the pandemic as well as the loss of my dad. So, when Western was born I didn’t expect to be writing much. But immediately he was responding to music in a very intense way. For this album, between May and November 2022, I wrote 48 songs! They certainly uplifted me and connected me with the creative spirit, and spirit in general, again. They cover all kinds of ground but, when I listen back, I think the central theme is overcoming fear with love.”Jennings also released a video for, “<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=sh-0oVTuLaQ">No Ordinary Friend</a>,” which he explains, “Depicts two of the most important decisions a person can make. One, whether or not they believe in a loving higher power and two, who they decide to choose as a life long romantic partner. This song is referring to both of those and the choices I’ve made.”"Stone Gossard and Regan Hagar from Loosegroove Records helped me edit the 48 down to 11. I then enlisted the help of my Painted Shield bandmates to record the songs.”&nbsp;Jennings and Gossard are ongoing collaborators in the band Painted Shield, who released their 2021 debut album on Loosegroove, the influential indie label that Gossard founded back in 1994 issued records from acts such as Critters Buggin, Malfunkshun, Weapon of Choice and Devilhead, and was the launching point for Queens of the Stone Age’s debut album in 1998.&nbsp;Jenning’s previous album ‘Real Heart’ came out in January 2022 and received Triple/Non-comm radio across KCMP Minneapolis, WFPK Louisville, WPYA Birmingham, KRCL Salt Lake City, WMMM Madison, WQKL Ann Arbor, KCSN LA, KRVB Boise, WCLZ Portland, WDSE Duluth, WRLT Nashville, WXPN Philly, WXRV Boston, &amp; WZEW Mobile.&nbsp;&nbsp;Press highlights include:&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://americansongwriter.com/mason-jennings-shares-his-life-on-new-lp-real-heart/">American Songwriter</a>,&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://relix.com/blogs/detail/mason-jennings-shares-video-from-forthcoming-album-real-heart/">Relix</a>,&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.nodepression.com/album-reviews/album-review-mason-jennings-reconnects-with-real-heart/">No Depression</a>,&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.gratefulweb.com/articles/mason-jennings-announces-new-album-real-heart-out-february-4th">Grateful Web</a>,&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://takeeffectreviews.com/may-2022-2/2022/5/15/mason-jennings">Take Effect 9/10 review</a>, &amp;&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://jambands.com/features/2022/05/29/mason-jennings-drinking-the-ocean/">Jam Bands</a>&nbsp;&nbsp;Jennings adds “I called it&nbsp;Underneath The Roses&nbsp;because I feel like these songs are musical roses and when I look below them there are many thorns and so much dirt and soil. All of it was needed for them to come into existence and bloom. It’s been a long hard road of self-discovery and discernment for me the last few years and the roses wouldn’t be here without what lies underneath. Hope you enjoy the music!”

Mason Jennings

Ready to party like it's the year 2000? Get down with PROMISCUOUS, brought to you by the minds behind your favorite monthly touring throwbacks party...Sorry For Party Rocking! Dance all night to throwback club bangers from Timbaland, Nelly Furtado, and JT. Be the main character on the dance floor Dress code: y2k core Official Party Spotify Playlist: <a target="_blank" rel="noopener noreferrer nofollow" href="https://open.spotify.com/playlist/5Q71PzX9qDIcvIKww9Hpm1?si=b89d658e1a28429f￼￼Follow">https://open.spotify.com/playlist/5Q71PzX9qDIcvIKww9Hpm1?si=b89d658e1a28429f Follow</a> us on Instagram for updates, pics, song requests &amp; more @ <a target="_blank" rel="noopener noreferrer nofollow" href="http://sorryforpartyrocking.us">sorryforpartyrocking.us</a> *This is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event. From the creators of Sorry For Party Rocking LA.&nbsp;

Promiscuous 

Hairitage has established himself as one of the most recognizable spectacles in dubstep. Since his breakout single"The Movement," Hairitage has consistently delivered massive tracks in collaboration with esteemed labels such asKannibalen Records, Monstercat, Dim Mak, Subsidia Records, Never Say Die Records, and more. He solidified hisplace in the scene with the chart-topping “40 Cal” on Never Say Die Records, which has racked up over 2.3 millionSpotify streams since 2019.What sets Hairitage apart is his refreshing blend of hip-hop and bass, resulting in intense yet colorful compositionsthat have captivated audiences. His collab with Shaquille O'Neal (DJ Diesel) on "BANG YOUR HEAD" became afestival anthem in just a month, grabbing over 1 million streams on Spotify - and counting. Hairitage boasts adedicated fanbase of 450K monthly listeners and millions of streams worldwide on tracks like “Cheatcode” and“Hustle.” He’s also known for viral remixes, including Gorillaz’s “Feel Good Inc” and “Paul’s Dream” from the DuneSoundtrack.Hairitage isn’t just a studio wiz - he’s a captivating live performer. He’s rocked renowned festivals such as Lost lands,Bass Canyon, Lollapalooza, and Electric Daisy Carnival. His talent has also caught the eye of major artists such asExcision, Black Tiger Sex Machine, and Kai Wachi who he’s toured with nationwide. Hairiatge’s star is on anunstoppable ascent, making him a name that’s shaking the foundation of dubstep and poised to dominate theentire electronic music scene.Social Links:Facebook: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/HairitageMusic">https://www.facebook.com/HairitageMusic</a>Instagram: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/hairitage_music/">https://www.instagram.com/hairitage_music/</a>Twitter: <a target="_blank" rel="noopener noreferrer nofollow" href="https://twitter.com/HairitageMusic">https://twitter.com/HairitageMusic</a>Tik Tok: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.tiktok.com/@hairitage">https://www.tiktok.com/@hairitage</a>Website: <a target="_blank" rel="noopener noreferrer nofollow" href="https://hairitagemusic.com">https://hairitagemusic.com</a>

Hairitage

Celebrate the people, places, and organizations that make Bellingham shine! The Scepter Awards honor those who have impacted and improved life in Downtown Bellingham with a community ceremony and party! The Scepter Awards is back and bigger than ever with the Wild Buffalo House of Music’s iconic stage. Our favorite Bellebrities will showcase their lip-syncing skills, light bites will be provided with your ticket and drinks will be available to purchase at the bar, and a 50/50 raffle will be up for grabs.&nbsp; We promise this is not your average award ceremony! We honor over a dozen award recipients to recognize Most Transformative Space, Behind the Scenes Superheroes, Rising Stars, and more. Awardee list coming soon! You’ll want to be in this room to kick off the holiday festivities and share in our collective resilience and joy. Ticket sales and the 50/50 raffle support the Downtown Bellingham Partnership, a 501c3 organization championing the health and vitality of downtown Bellingham through the promotion of commerce, culture, and celebration for over 20 years. You may know us best for Downtown Sounds, but the Downtown Bellingham Partnership is so much more. From annual hanging baskets, to street cleaning services, public art installations, and business community advocacy, we are at every intersection of our community. Doors 5:30, show starts at 6pm, ends at 8:30pm

Scepter Awards

Wild Buffalo Presents smith. with Ozztin, special guests Saturday, December 6th 2025Wild Buffalo8pm doors | 9pm show | 21+ <iframe-embed src="https://open.spotify.com/embed/artist/1tsHUHMDK952zIrjWY7uiB?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="youtube"></iframe-embed>

smith.

Milk + Honey Presents CESCO with Ceilla, Squanch b2b LargR, Syren Friday, December 5th 2025 Wild Buffalo 8pm doors | 8:30pm show | 21+ <iframe-embed src="https://open.spotify.com/embed/artist/7Gg3X2b5ljrhVGXDAwcrq3?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="youtube"></iframe-embed>

Cesco

How to Make MistakesThree songwriters. Five bandmates. More than 15 years together, building a grassroots audience with a combination of stacked vocal harmonies and collaborative, song-driven Americana. Fruition is proof that there’s strength in numbers.How To Make Mistakes, the band’s first studio album in four years, showcases a reinvigorated group at the peak of its powers. This is American roots music at its broadest and boldest — a melting pot of rock, soul, folk, and pop. What began as a busking string band has evolved into something more eclectic, rooted not only in the unique delivery of three different singers, but also the cohesion of five friends who prefer their music to be homegrown and honest… mistakes and all.“This is the first studio album that we’ve recorded entirely live,” says Jay Cobb Anderson, who shares frontperson duties with fellow multi-instrumentalists Mimi Naja and Kellen Asebroek. “We recorded 17 songs in 7 days, with everybody playing together in real time, and we didn’t overdub anything. The songs sound honest and real. They sound like us.”Co-produced by the bandmates themselves, How To Make Mistakes restores the momentum that Fruition nearly lost in 2020, back when Covid-19 forced them off the road and into quarantine. At the time, they’d been playing some of the biggest shows of their lives, crisscrossing the country in support of their most recent release, Broken At The Break Of Day. The album’s lead single, “Dawn,” had even become a hit on Americana radio. Years of relentless work had taken a toll on Fruition’s mental health, though, and cracks were starting to show in the band’s foundation. “We were so deep into the tour hustle that a lot of our cohesive vision might’ve gotten lost,” Naja admits. “Like anybody in any work force, we’d all learned to put our heads down and keep moving forward, even if that wasn’t the best thing for us.”When they reunited one year later for a long-overdue band practice, they took stock of everything that had changed during those 12 months apart. Some members had started families. Others had gotten sober. All of them had made the conscious decision to return to music. Fruition funneled that growth and maturity back into their new songs, which doubled as rallying cries for a band eager to chase down success once again. “We all had the time to ask ourselves some big questions like ‘Do we want to keep doing this?'” Naja adds. “The fact that we reunited in such a reinforced way after all that time apart… I think it says a lot about who this band truly is.”And who, exactly, is Fruition? On songs like “Lonely Work,” they’re a folk-rock band powered by pedal steel and lovely, loping tempos. On “Scars,” they’re a group caught halfway between the earthy textures of Americana and the spacey sweep of something far more ethereal. On “Get Lost,” they’re a group of adventure seekers looking to leave the big city behind, stacking their electric guitars into harmonized solos along the way. Fruition’s acoustic roots are evident throughout How To Make Mistakes, too, from “Can You Tell Me” — a rough ‘n’ rowdy folk song laced with resonator guitar, mandolin, and upright bass — to the campfire ballad “Never Change.” How To Make Mistakes embraces the full spread of the band’s past and present, mixing unplugged instruments with electrified arrangements, creating a sound suitable for arenas one minute and front-porch picking parties the next. It’s the widest net Fruition has ever cast, and it’s also the truest representation of the band’s wide, all-encompassing sound.“When I think about this record, the word that comes to mind is ‘trust,'” says Asebroek. “We trust each other. We trust the strength of our songs. We’ve come to really know ourselves as individuals and as partners, and instead of trying to prove something to the outside world, we’re trying to show the world that we are who we are, and we love ourselves.”When Fruition formed in Portland in 2008, the band’s three songwriters earned their first fans by busking together on Oregon’s street corners. Those informal gigs were raw and real, filled with all the honest imperfections of a live performance. Hundreds of shows later, How To Make Mistakes revisits that flaws-and-all approach, using it as the foundation for the most definitive album of the band’s career. Tracked live at eTown Hall’s recording studio in Colorado and engineered/mixed by the band’s own drummer, Tyler Thompson, it’s an album that embraces not only the in-the-moment immediacy of a live band, but also the love, longing, loss, and sheer life lived during the band’s 15+ years together.“If you listen closely,” Anderson points out, “you can hear tempos fluctuate. Maybe you’ll have somebody finger-picking slightly out of time. But that’s part of the whole idea of learning to embrace your true identity. We’re a band that would rather lean into a mistake than use studio tricks to erase it. With How To Make Mistakes, we wanted to say, ‘This is us, with all of our flaws and all of our strengths.'”All of their strengths, indeed. Collaborative, consistent, and musically cohesive, How To Make Mistakes is the sound of a band rededicating itself to the long haul.

Fruition

Wild Buffalo PresentsHOBO JOHNSON AND THE LOVEMAKERS‘Peach Scone 8 Year 3 Month Anniversary Tour’with BudmanWednesday, December 3rdWild Buffalo7:30pm doors | 8:30pm show | 21+Frank Lopes Jr. (born December 22, 1994), best known as Hobo Johnson, is an American vocalist and frontman of the band Hobo Johnson &amp; The Lovemakers, blending emo rap, spoken word, and raw hip‑hop. After gaining viral fame in 2018 with the Tiny Desk video for “Peach Scone,” the band released their major‑label debut, The Rise of Hobo Johnson, which reached No. 11 on Billboard’s Heatseekers chart. They followed up in 2019 with The Fall of Hobo Johnson, a confessional album exploring jealousy, heartbreak, and emotional vulnerability. After a creative hiatus in 2021–22 and a brief breakup of the LoveMakers, Lopes returned in 2024 with the double single “Dad’s Bed” / “Metaverse”, signaling a stylistic pivot back toward emotionally charged, band-driven songs. The project, often referred to as Hobo Johnson Drinks!, has since been officially released as a full album in 2025, marking his latest exploration of candid lyricism and spiky blend of rap, folk, and spoken‑word. His newest single “You &amp; Me” is out now on all streaming platforms.<iframe-embed src="https://open.spotify.com/embed/artist/05SdqPzK4m3k1ljK2wrTSP?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="youtube"></iframe-embed>

 HOBO JOHNSON AND THE LOVEMAKERS

<a target="_blank" rel="noopener noreferrer nofollow" href="https://thefunkhunters.com/">The Funk Hunters</a> <iframe-embed src="https://www.youtube.com/embed/iqhdlf1B-Qk" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="608" width="1081" style="" metaposition="flex-start" metatype="youtube"></iframe-embed> In a sea of carbon-copy producers, The Funk Hunters have cultivated their signaturesound by creating forward-thinking electronic music that is influenced by old schoolfunk, soul and hip-hop.As longtime friends, collaborators, and multi-dimensional artists, Nick Middleton andDuncan Smith’s chemistry is perfectly aligned. Middleton steers the band’s studioefforts, having produced, co-written, and mixed their debut album, TYPECAST. AndSmith anchors the project’s live show with an indefatigable charisma that complimentsMiddleton’s thoughtful production. Together they combine their powers as DJs,resulting in a brilliant technical display of creative collaboration between 4 turntables.Their vision has resonated with both listeners and industry tastemakers alike, withtheir music amassing over 50 million track streams across their catalog of originalproductions, remixes and collaborations. Winners of the Electronic/Dance Artist of theYear at the Western Canadian Music Awards, The Funk Hunters also reached #1 onthe Billboard Dance Club Chart with an official remix of U2's "Love Is Bigger." Theircatalog also includes other official remixes for Big Gigantic, Gramatik, Opiuo,Haywyre, The Polish Ambasador, Dub FX, Selena Gomez, and Imagine Dragons.In addition to studio work, The Funk Hunters enjoy a vibrant global touring career withmajor festival plays at Coachella, Life Is Beautiful, Lightning in a Bottle, ElectricForest, Osheaga, Outside Lands, Burning Man, and Shambhala. They consistentlyplay to the biggest dance floors in the world - frequent collaborator Chali 2na ofJurassic 5 fame has called them "the selectah's of the century."

The Funk Hunters

Time to Blow The Whistle! <img style="text-align: start" src="https://fonts.gstatic.com/s/e/notoemoji/16.0/1f3b6/72.png" alt="🎶"> Your ultimate 2000s hip hop throwback is here! Get ready to crank dat, lean back and snap ya fingers to anthems from artists like T-Pain, Usher, Lil Jon, Missy Elliott, Nelly, 50 Cent and so much more! Dress Code: Y2K *This is a tribute dance night. None of the artists mentioned will be appearing at this event, nor are they affiliated with the event. Follow us on Instagram for updates, pics, song requests &amp; more @ pauzpresents From the creators of Sorry For Party Rocking LA

Blow The Whistle

Thanks-A-Roke!&nbsp; A Karaoke Party ft. Lotionberry Wednesday, November 26th Wild Buffalo House of Music&nbsp;8pm Doors | 8:30pm Karaoke Start Time | 21+ | No Cover&nbsp; It’s our annual THANKS-A-ROKE party at the Buffalo where YOU get to get up on the stage and sing your favorite songs. It’s a night to be thankful for being able to spend time with our family and friends, having some delicious cocktails, and not having to pay a cover charge!&nbsp;

Thanks-A-Roke

🎸 Benefit Concert for Aaron Goude 🎸Our friend and longtime Bellingham music staple, Aaron Goude, needs a little help getting back on his feet, literally. After years of drumming, guitar-slinging, and heavy lifting (on and off stage), Aaron’s been diagnosed with severe osteoarthritis in both hips and is gearing up for double hip replacement surgery.Between the pain, loss of mobility, and long recovery ahead, Aaron’s been forced to take time off work — and his two dogs and cat aren’t exactly contributing to the mortgage.So we’re doing what the Bellingham music community does best: throwing a big night of live music, love, and support! ❤️🎶 Join us for a Benefit Concert at the Wild Buffalo on Monday, November 25th, from 7:00 PM to 11:30 PM.The night will feature live performances by local favorites Vibacious, OSO (reunion show!), and JAMNESIA playing the music of the Grateful Dead &amp; Phish, plus a silent auction packed with great items and experiences. All proceeds go directly to Aaron’s recovery fund to help him keep the lights on, the pets fed, and his spirits high while he heals.Bring as much as you can spare for the door — no one is turned away.Let’s show Aaron the same heart 💖 and generosity he’s shown our music scene for years, and help him dance his way back to the stage (once those new hips are tuned up).<a target="_blank" rel="noopener noreferrer nofollow" href="https://gofund.me/9bb4f2beb">https://gofund.me/9bb4f2beb</a>

Dirty's Double Boogie Benefit

Wild Buffalo Presents Esseks with Slayde, Squanch, Sepanduh Saturday, November 22nd Wild Buffalo 8pm doors | 8:30pm show | 21+ Esseks (Sam Eckstein) is a Brooklyn-based producer and visual artist. His music ranges from all the bass-centric genres with a focus on the off-kilter. The diverse elements of his music are tied together with Esseks’ subtly dark but playful sound and visual aesthetic. He has built an extensive catalog of music since his first release in 2012 across various labels, including Wakaan, Subcarbon, Saturate, and most recently Deadbeats. His music is accompanied by visual work that is a key component to his vision, whether illustration, animation, or design. All of the artwork, merchandise, and visual content on stage are illustrated and designed by Esseks himself.

Esseks

Blink-180TRUE is a Nationally Touring blink-182 tribute band from Southern California, playing all the blink-182 hit songs, with all the fun, jokes and antics of this world famous pop-punk band.

BLINK180TRUE

Wild Buffalo Presents The Fretliners with special guests Tuesday, November 18th 2025 Wild Buffalo - Bellingham, WA 7pm doors | 8pm show It is rare for there to exist a defining moment that changes the trajectory of four lives at once. But, clear as a lightning bolt in an open field, so electric was the moment The Fretliners first played together around a single microphone in the Cloverlick banjo shop barn one fateful evening, they knew they would be inseparable from that moment on.The Fretliners are a genuine and powerful bluegrass quartet recognized for their songwriting and undeniable chemistry. Their newfound camaraderie produces an energy that is as infectious on stage as it is on record. So much so that in the summer of 2023, they won both band competitions at Telluride Bluegrass and Rockygrass Festivals—a feat that had only been accomplished once before. That September, they released their debut eponymous album to acclaim and adoration.​ With one eye on the rear-view, inspired by that traditional high lonesome sound, The Fretliners navigate a road less traveled into the peaks of Rocky Mountain original bluegrass.

The Fretliners

Stomp, clap, sing, and shout... &nbsp; Be a part of the show as "Queen Mother" pays tribute to Queen's music in the space where it belongs, live on stage. &nbsp;Hailing from&nbsp;Seattle, Queen Mother harnesses the Northwest’s best talent to bring these epic songs to life, including Under Pressure, We Are the Champions, Bohemian Rhapsody, and many more. &nbsp; With each show they make the whole room a stage, hoping to draw out your inner “Freddie.”&nbsp;<iframe-embed src="https://www.youtube.com/embed/mSIAo7A3oLI" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="848" width="1508" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>

Wild Buffalo Presents Blossomwith Fulminate, Syren, Ruud Friday, November 14th 2025Wild Buffalo 8pm doors | 9pm show | 21+ <iframe-embed src="https://open.spotify.com/embed/artist/0FhgVFxDmcXH3blEWtt13V?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="youtube"></iframe-embed>Blossom knows exactly what she wants and she’s going for it. In a short time, the Night Bassand UKF associated DJ/producer has made her presence known with an array of assertivehouse and drum and bass productions, all of which radiate a bold, unmistakable style andscream her name out loud — Blossom.The London-born, Phoenix-raised talent was classically trained as a violist for 12 years beforeshe found her love for dance music. She enrolled at Dubspot, LA in 2015 where she knew she’dfind her sound. Named "The Best DJ in Phoenix 2019,” she went on to earn support from ACSlater, Habstrakt, and Joyryde, among others.Since then, she “Blossomed” so to speak. Running a festival circuit in 2022, she took the stageat EDC Las Vegas, EDC Mexico, and Shambhala, and in 2023 she toured New Zealand withdrum and bass mainstay UKF. Blossom was named as part of <a target="_blank" rel="noopener noreferrer nofollow" href="http://EDM.com">EDM.com</a> “Class of 2023,”establishing her as an artist to watch closely. In 2024, she was featured on BBC Radio 1,receiving the title of ‘Next Wave’ on Sian Elery’s ‘Future Artists’ show and becoming the first USdrum &amp; bass act on Charlie Tee’s DNB60 mix series. With an arsenal full of her own house anddrum &amp; bass weapons, Blossom is ready to take 2024 by a storm.Watch out — because Blossom hasn’t fully bloomed just yet.

Blossom

Wild Buffalo PresentsFellywith Breakup ShoesSaturday, November 8thWild Buffalo8pm doors | 9pm show | 21+Felly Meet &amp; Greet Experience:&nbsp;<ul><li>One (1) GA Ticket</li><li>One (1) Meet &amp; Greet and Photo with Felly</li><li>One (1) Exclusive merch gift</li><li>One (1) Commemorative VIP laminate</li><li>Venue first entry (where available)</li><li>Crowd free merch shopping</li></ul><iframe-embed src="https://open.spotify.com/embed/artist/2848adRcxvgWNRcz1g1tQD?utm_source=generator" frameborder="0" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" loading="lazy" height="352" width="100%" style="border-radius:12px" metaposition="flex-start" metatype="youtube"></iframe-embed>Flóki Studios sits at the northernmost point of Iceland on a sliver of land abetted on both sides by water. On lucky nights, that water reflects the enchanting Aurora Borealis. Those lights drew Christian Robert Felner, BKA Felly, to Flóki, where he recorded part of his striking new album, Ambroxyde. The title refers to a synthetic molecule found in perfume and the scent memories that carry us from one stage of life into the next. “Ambroxyde is the start of something new being born,” Felly says. He made his name as a rapper and producer, but on Ambroxyde Felly taps into the indie and alternative music that has always soundtracked his life. This isn’t Felly 2.0 – it’s Felly as he has always been, removed from all expectation. “This is the album I’ve always wanted to make,” he says.&nbsp; Since Felly started releasing music as a teen in 2011, he’s had no problem amassing a fanbase. From the scrappy early recordings he uploaded to SoundCloud and Bandcamp to his most recent EP, 2023’s I had a beautiful time, now I have to leave, the Connecticut-born, LA-based artist has created community around his introspective lyricism and idiosyncratic production choices. In college at USC, he helped form a collective named after the dorm room number, 2273, where he and friends gathered to make music, and it took off. Sampling records evolved into recording live instrumentation and touring with a full band. Over the course of his career, Felly has racked up over one billion streams across all platforms, headlined multiple U.S. headline tours, and collaborated with a wide array of artists, from Carlos Santana to Jack Harlow. Throughout his impressive career, Felly has developed a cult-like following through the raw energy of his live performances, where it wouldn’t be uncommon to find fans boasting tattoos related to his albums. “People have come up to me and shown me tattoos saying this music changed their lives,” Felly says. “Resonating with people in that way is beyond me.”&nbsp;&nbsp; Ambroxyde contains some of the most personal songs of Felly’s career. “This album revisits some periods of my childhood,” he says. “Songs for the Crows” recounts the premonition of crows appearing on his lawn the day before Felly’s father was diagnosed with cancer. “My dad died when I was a kid, and as the youngest of five, I had to grow up fast.” On “Emmy,” Felly offers a message to his niece and his brother about “the fragility of life,&nbsp; preciousness of youth, the indifference that time holds over us all.”&nbsp; That indifference drives Felly to create. To make Ambroxyde, Felly chased inspiration outside of his familiar Los Angeles. Accompanied by producer Gianluca Buccellati, he traveled to remote parts of California and far-flung parts of the world. “Luca approaches production holistically. He’ll pick up a project and work with the artist for a long time,” Felly says. In this case, the duo spent over a year on the road together between Felly’s tour dates. “We went to Iceland first where we were really far from the rest of the world and could really tune out any type of influence.” They wrote “Wildfire” inspired in part by the remote, natural beauty of their surroundings. Its chorus&nbsp; blows in like an unanticipated gale-force wind as Felly sings: “Come around like a wildfire/ When my wells run dry/ You fill my desire/ And make it all feel alright.”&nbsp; Beyond Iceland, they wrote and recorded on the Greek island of Hydra, where cars have been banned since the 1950s and Felly could record at all hours of the night surrounded by crystalline Mediterranean water. There’s a hazy road narrative to be found on Ambroxyde, heard especially on songs like “High on You” and “Route 44,” wherein whole passing days are distilled into a single detail. Felly wrapped the Ambroxyde at the storied Sonic Ranch in Tornillo, TX, alongside a group of eleven musicians, ten of whom he’s worked with on past tours and records. This tightknit group of longtime collaborators weaved the disparate threads of Ambroxyde together over the course of two weeks. Though the pieces of Ambroxyde were recorded across long distances, they converged in post-production. Each song on the album combines takes from the various studios Felly and Buccellati frequented over a transformative year. “As we pieced these songs together, we tried to catch the soul of different places we’d been. On a single song we might take the Greece drums, the Iceland vocals, and the guitars from Sonic Ranch,” Felly says. That patchwork process contributes to the textural, sensory experience of the album. When Felly talks about Ambroxyde, he tends to speak visually, using words like “dark indigo purple, northern sky at night, sunset” to describe it. The title track opens with the hiss of room tone and a sample of northern Icelandic winds before Felly’s spectral falsetto enters the mix. “See how it goes when I just don’t plan it/ Isn’t it obvious?/ We’re just some particles, yeah/ And the worries they hardly come,” he sings over earthen acoustic production. “Ambroxyde” is one of a handful of love songs on the album, songs that Felly says are the most earnest of his career.. “I’ve tried to fake love songs in the past, but when you actually fall in love it’s scary, it’s raw, but it’s like coming into the light a little bit when somebody shows you new sides of yourself.” Album opener “Spinning Around” cocoons that terrifying sense of vulnerability. “You showed me who I was/ And it was sweet cause you’re sweet/ I think you’re something I’ll keep,” Felly sings of a love so disarming it threatens to upend him ahead of the psychedelic, electric guitar-led outro.&nbsp; While Ambroxyde might mark a departure for Felly, he is still operating on a continuum. “This album might put people off who maybe hold me to a certain version of myself. “I’ve got to be honest with where I am, and who I am,” he reflects. That message of preserving authenticity resounds on “Black Shoes,” which has been sitting in Felly’s audio notes for years “just waiting for some context.” That context took time and experience to reveal itself. “I wrote that song when I was feeling wrapped up in a situation that didn’t feel right to me anymore,” he says. “It’s always nice when something you think is dead pokes its head up and takes in the light.” Like that song, this album didn’t emerge from the ether; it is in conversation with past iterations of an artist in a constant state of becoming. “It’s about coming into your being,” Felly says. With Ambroxyde, Felly is closer to his truest self than he’s ever been as he continues to create authentically over vast physical and emotional distances.&nbsp; Arizona alt-indie act Breakup Shoes has no plans of stopping anytime soon. Formed in 2015 by close high school friends, now 10 years later, the hardworking group has evolved intotheir current lineup—Nick Zawisa (vocals / guitar), Matthew Witsoe (drums), Michael Montiel (bass) andMichael Cully (guitar)—thanks in part to theDIY show culture across their hometown of Phoenix andleaning into extensive US touring with bands like Summer Salt, WILLIS, Phoneboy and more.From 2016’s acclaimed debut EP,Nicotine Dream, the band has proceeded to self-release two additionalEPs as well as three full-length albums—with 2018’sUnrequited Love (&amp; other clichés)garnering nearlyfifty million streams across platforms. Most recently the band put out 2023’sThe Death of Everything Worrisome.The eight-track LP—featuring singles “At Least I’ve Still Got Some Friends,” “Rat Race” and “Get Lost”—is an earnestreflection on modern anxiety that balances blunt vulnerability with catchy hooks and melodies.Moving into the second half of 2025, Breakup Shoes is set to release their highlyanticipated follow-uptitled,Standing Still.Produced by Charlie Brand (Miniature Tigers), someone who was hugely influential to the group, BreakupShoes says they found a great “sonic match” for their upcoming record.“[Charlie] helped us forge a newchapter in our sound that is ambitious and original while still keeping theearnest lyricism and storytelling that Breakup Shoes is known for front and center,” says Nick Zawisa.“The album chronicles the story of my last few years, centered around feeling dissatisfaction with thestatus quo,” Zawisa adds. “It grapples with feeling stuck, complacent, and unhappy; all the feelings thatculminated in uprooting my life and moving across the country.”The band’s infectious lead single “Brainwash” is streaming worldwide now, with the album releasing October 10th, 2025 and is available for pre-order now <a target="_blank" rel="noopener noreferrer nofollow" href="http://atbreakupshoes.com">atbreakupshoes.com</a>.All package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@237global.com">info@237global.com</a>. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements, or have not received your package information within three days (3) of the concert date, please email&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@237global.com">info@237global.com</a>.&nbsp;

Felly

Wild Buffalo Presents LAYZ with special guests Friday, November 7th Wild Buffalo 8pm doors | 9pm show | 21+ Leyla Ali, known professionally as LAYZ, has stormed onto the bass scene and has quickly become a fan favorite. Establishing herself in the dubstep community for producing the heavy, new age sound and bringing it to the touring circuit with sets full of energy and excitement. LAYZ has toured with Excision, Kayzo, Sullivan King, Wooli and more, in addition to festival plays at EDC Las Vegas, Tomorrowland, Lost Lands, EDC Orlando, Bass Canyon, Rampage Belgium, Hard Summer &amp; many others. Her music has been seen on labels such as Monstercat, Subsidia, Welcome Records, Disciple Round Table and Bassweight. She has grown an international fan base bringing her to new levels after every tour stop &amp; song released. LAYZ embarked on a 26 date headline tour across North America in 2024, only further establishing her fanbase and mark on the industry.

LAYZ

Wild Buffalo Presents Flamingosis with special guests Thursday, November 6th 2025Wild Buffalo 8pm doors | 9pm door | 21+ Flamingosis makes the soundtrack to being your best self. Under the spell of Aaron Velasquez, the New Jersey-raised and Brooklyn-based artist and producer, handcrafted electronic beats meet live instrumentation spiked with funk in the center of the dancefloor (right underneath the disco ball). The ensuing overflow of energy might just inspire you to get up and move, fall in love, or even change your life. Extending a creative arc without comparison, he strikes a deep emotional chord on his 2024 full-length album, Better Will Come. “Everyone wants to get better in some way,” he states. “The album highlights my own personal experience of growing, and you can potentially relate your story to what I went through. I learned a lot of hard lessons, but I made a conscious effort to grow in every way—not just musically, but physically, mentally, and spiritually. I did a lot of inner work, and I channeled these experiences into the music. If you pursue self-improvement, life improves around you too.” Artistically, he has continued to progress at an impressive pace. Piling up over 100 million streams and counting, he has dropped one fan favorite project after another, including Pleasure Palette [2015], Kahunastyle [2016], Bright Moments [2016], Daymaker [2021] and collaborative album Bliss Station [2023]. Of the latter, ThisSongIsSick raved, “This is the perfect album to rinse outside by the pool, at the park, in your backyard, or wherever you have a space to move around,” and EARMILK christened it “an electronic journey through time and space.” Along the way, he teamed up with everyone from Big Gigantic, GRiZ and Tokimonsta to Matoma for collaborations. Simultaneously, he notably shined at festivals, including Austin City Limits, Electric Forest, Okeechobee, Holy Ship!, Voodoo Music + Arts, and more.&nbsp; A season of transformation and awakening underlined the genesis of Better Will Come. “Around the time of the Daymaker tour, behind-the-scenes life hit me in an unexpected way I didn’t think was possible,” he recalls. “In turn, I took a downward spiral as a direct result of my poor choices and failure to balance things in my personal life. It was a hard pill to swallow, but I had to get real. I acknowledged it and consciously made a change. I started eating healthier, going to the gym, and seeing a therapist. Everything helped a lot. I funneled the inner pain and turmoil into the music.” He did so during sessions in New York and Denver. Beyond shaping lively and lush soundscapes of his own, he orchestrated performances by a bevy of musicians such as Jeff Franca, Hunter Roberts, Bora Lee, Mike Tallman, and Eddie Roberts. Akin to a conductor, he actively produced the players and arranged the tracks.&nbsp; Now, he introduces this chapter via the uplifting single “Feel Yourself” [with Marc Rebillet]. A seventies-style synth line wraps around the bass, while a head-nodding beat sets the tempo punctuated by glimmering guitar and a loose lead. Rebillet’s buttery smooth vocals engage and empower as he urges, “Nobody feeling you, gotta feel yourself.” “Marc and I have known each other since 2019,” he says. “I admire him as a musician and as a person. We reconnected in 2022, and it was dope he made time for me. ‘Feel Yourself’ is straight-to-the-point. He came up with the hook on the spot, and it’s almost like a mantra. Your inner consciousness is telling you, ‘People around you can love you for who you are. At the end of the day though, nobody can help you and love you for you; you have to do that. You need to do the inner work.” Elsewhere, “Soulsearcher” uncorks a blast of sonic sunshine enlivened by ecstatic strings, ebullient keys, engaging horns, and an entrancing vocal. “I finally knew how to finish the song after the life experience I’d gone through,” he states. “It’s about searching deep, inquiring within, and telling yourself the healthiest way to go on your path.” “Nebula Gazer” hinges on a clean funk riff and foot-stomping bass. Built around a core synth line,&nbsp; successive solos swirl across this galaxy in an intergalactic call-and-response.&nbsp; “There are way more solos on the album,” he smiles. “It made everything more colorful.” The unabashed soul of “Life and Death of Hard Times” explores an overarching theme with a strutting groove and slick thump of its own. “We all go through rough periods,” he observes. “That’s just human experience. We suffer, but it doesn’t last forever. ‘Life and Death of Hard Times’ describes the beginning and end cycle of a hard time. You come out stronger on the other side.” Then, there’s the closer “Better Will Come.” He samples Gil Scott-Heron whose words, “If you take your time, you might change your mind,” prove as prescient and appropriate as ever layered atop a buoyant soundscape. “Gil’s words are looped through the song, and it ties the whole album together,” he notes. “If you really do take your time, you can change your mind and everything, in general. It’s a full circle moment.” In order to bring the music to life on stage, Flamingosis will hit the road with a band for the very first time. At the end of 2023, he performed a pair of gigs in Denver at Cervantes joined by Bodega Groove Collective. The drums, horns, guitar, and bass added a full-bodied bombast to the set unlike anything he’d delivered prior. “The shows in Denver were pretty much the climax of my music career thus far,” he goes on. “I’d never played with a live band, so it was a major change. I’ve learned you need to face new challenges head-on. It’s what we did, and it went great. It’s going to be really cool to do the same thing on the road.” In the end, Flamingosis delivers a message meant to be shared aloud on the album. “It’s a reminder that no matter what you’re going through, you can be better for yourself,” he leaves off. “Hard times don’t last. All of those little things add up to change you for the better. Am I where I want to be? Probably not yet, but I’m a lot better than I was when I started the whole process.”